William Heysham Overend Collection

Richard I, Coeur de Lion landing at Jaffa (Joppa), September 1191, (c1880). Artist: William Heysham Overend
Richard I, Coeur de Lion landing at Jaffa (Joppa), September 1191, (c1880). Richard the Lionheart (1157-1199) was the eldest son of Henry II and Eleanor of Aquitaine

Life on board a Man-of-War (coloured engraving)
728356 Life on board a Man-of-War (coloured engraving) by Overend, William Heysham (1851-98); Private Collection; (add.info.: Life on board a Man-of-War: Junior officers at hockey)

William Heysham Overend, English marine painter (b / w photo)
6014396 William Heysham Overend, English marine painter (b/w photo) by English School, (19th century); Private Collection; (add.info.: William Heysham Overend (1851-1898), English marine painter

Captain William Walpole intercepting the Duke of Saldanhas ships, Liberal Wars, 1829 (c1890)
Captain William Walpole intercepting the Duke of Saldanhas ships during the Liberal Wars fought over the Portuguese succession, 1829 (c1890)

Battle of Navarino: HMS Asia engaging the ships of Capitan Bey and Moharram Bey, 1827 (c1890). From " Cassells History of England - Special Edition, Vol

The Final Attack at the Spingawi Khotal, (1901). Creator: William Heysham Overend
The Final Attack at the Spingawi Khotal, (1901). At the Battle of Peiwar Kotal, November 1878, during the Second Afghan War

Gradually They Drove The Sepoys Back, 1902. Artist: William Heysham Overend
Gradually They Drove The Sepoys Back, 1902. The Siege of Lucknow occurred during the Indian Rebellion of 1857. The first siege had lasted 87 days, the second siege a further 61

The cover of The Illustrated London News, 29th May 1875. Artist: WJ Palmer
The cover of The Illustrated London News, 29th May 1875. Preparing to start on a sledge journey. The British Arctic Expedition of 1875-1876, led by Sir George Strong Nares

Victory. A prize crew taking possession of a captured enemy ship. After an original painting by WH Overend

The queen leaving Kingstown, royal visit to Ireland, c1849, (1888). Artist: William Heysham Overend
The queen leaving Kingstown, royal visit to Ireland, c1849, (1888). Queen Victoria and her family wave goodbye in what is now known as Dun Laoghaire

The christening of Princess Louise, c1848, (1900). Artist: William Heysham Overend
The christening of Princess Louise, c1848, (1900). The princess, daughter of Queen Victoria, was baptised at Buckingham Palace chapel, London

Prince Albert deerstalking, c1840s, (1900). Artist: William Heysham Overend
Prince Albert deerstalking, c1840s, (1900). Queen Victorias German husband hunting deer in Scotland. Illustration from The life and times of Queen Victoria by Robert Wilson, (1900)

Presentation to the Queen, c1850s, (1900). Artist: William Heysham Overend
Presentation to the Queen, c1850s, (1900). Prince Albert, who was Chancellor of Cambridge University from 1847 until his death in 1861, presenting an address to his wife, Queen Victoria

Arctic Life, Cutting a Way Out of the Ice from Winter Quarters, 1875. Artist: W Palmer
Arctic Life, Cutting a Way Out of the Ice from Winter Quarters, 1875. An engraving from the Illustrated London News, (29 May 1875). Hand-coloured later

Richard I, Coeur de Lion landing at Sandwich, 14 March 1194, (c1880). Artist: William Heysham Overend
Richard I, Coeur de Lion landing at Sandwich in Kent, 14 March 1194, (c1880). Richard the Lionheart (1157-1199), was the eldest son of Henry II and Eleanor of Aquitaine

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William Heysham Overend was an English marine painter known for his vivid and detailed artworks depicting historical naval battles and maritime scenes. His talent for capturing the essence of these moments is evident in his various works, such as "Richard I, Coeur de Lion landing at Jaffa (Joppa), September 1191" and "Battle of Navarino: HMS Asia engaging the ships of Capitan Bey and Moharram Bey. " Overend's passion for maritime history is further showcased in his painting titled "Life on board a Man-of-War, " where he skillfully portrays the bustling activities aboard a majestic vessel. His attention to detail transports viewers back in time, allowing them to experience the sights and sounds of life at sea. In addition to his paintings, Overend himself can be seen in a black-and-white photograph that captures him engrossed in his work. This image provides a glimpse into the artist's world, revealing his dedication to capturing nautical scenes with precision and authenticity. One notable artwork by Overend depicts Captain William Walpole intercepting the Duke of Saldanhas' ships during the Liberal Wars of 1829. The intensity of this moment is palpable through Overend's use of color and composition, showcasing both the power struggle between opposing forces and their determination to prevail. Overend's artistic prowess extends beyond naval battles; he also showcases events like "The Final Attack at Spingawi Khotal" and "Gradually They Drove The Sepoys Back. " These pieces demonstrate not only his versatility but also his ability to convey emotion through brushstrokes. "The Shell Burst Among Her Bow Guns" exemplifies Overend's mastery over light and shadow as he captures a dramatic moment amidst battle. Similarly, "The Battle of Yalu" portrays intense warfare with meticulous attention given to every ship involved.