William Simpson Collection (page 2)

Fortress of Yenikale Looking Towards the Sea of Azof, 1856. Artist: Georges McCulloch
Fortress of Yenikale Looking Towards the Sea of Azof, 1856. A depiction of the Fortress of Yenikale during the Crimean War (1853-1856)

Mine in the Bastion du Mat, 1856. Artist: Thomas Picken
Mine in the Bastion du Mat, 1856. The Bastion du Mat was a French redoubt at the Siege of Sevastopol. From The Seat of War in the East, by William Simpson (1823-99). [Paul & Dominic Colnaghi & Co

Redan and Advanced Trenches of British Right Attack, 1856. Artist: Thomas Picken
Redan and Advanced Trenches of British Right Attack, 1856. Scene from the Siege of Sevastopol during the Crimean War. From The Seat of War in the East, by William Simpson (1823-99)

Sebastopol from Old Chersonese and Ancient Church of St Vladimir, 1856. Artists: William Simpson, E Walker
Sebastopol from Old Chersonese and Ancient Church of St Vladimir, 1856. From The Seat of War in the East, by William Simpson (1823-99). [Paul & Dominic Colnaghi & Co. London, 1856]

The Admiralty, Sebastopol, 1856. Artist: William Simpson
The Admiralty, Sebastopol, 1856. From The Seat of War in the East, by William Simpson (1823-99). [Paul & Dominic Colnaghi & Co. London, 1856]

Public Library and Temple of the Winds, 1856. Artist: William Simpson
Public Library and Temple of the Winds, 1856. The burning of buildings in the city of Sevastopol during the Crimean War. From The Seat of War in the East, by William Simpson (1823-99)

Burning of the Government Buildings at Kertch, 9th June 1855, 1856. Artist: Thomas Picken
Burning of the Government Buildings at Kertch, 9th June 1855, 1856. The destruction of the city of Kerch by the British during the Crimean War

The Town Batteries or Interior Fortifications of Sebastopol, 1856. Artist: Thomas Picken
The Town Batteries or Interior Fortifications of Sebastopol, 1856. From The Seat of War in the East, by William Simpson (1823-99). [Paul & Dominic Colnaghi & Co. London, 1856]

A christmas dinner on the hights before Sebastopol, c1850. Artist: William Simpson
A christmas dinner on the hights before Sebastopol, c1850

Windsor Castle kitchen at Christmas, 1894. Artist: William Simpson
Windsor Castle kitchen at Christmas, 1894. From the Illustrated London News (22 December 1894)

The War Artist William Simpson in Sevastopol, 1855
The War Artist William Simpson in Sevastopol

After the Taking of Malakoff on 8th September 1855, c1855. Artist: William Simpson
After the Taking of Malakoff on 8th September 1855, c1855. Fought between the French and the Russians on 7-8 September 1855

Interior of the Malakoff, (8th September 1855), 1900. Artist: William Simpson
Interior of the Malakoff, (8th September 1855), 1900

The Attack on the Malakoff, (8th September 1855), 1900. Artist: William Simpson
The Attack on the Malakoff, (8th September 1855), 1900

Sebastopol from the Rear of Fort Nicholas, 1900. Artist: William Simpson
Sebastopol from the Rear of Fort Nicholas, 1900

The Emperor of Austria Ascending the Great Pyramid, Egypt, 1869. Artist: William Simpson
The Emperor of Austria Ascending the Great Pyramid, Egypt, 1869. Found in the collection of the The Victoria and Albert Museum, London

A Doorway in Cairo, 1884. Artist: William Simpson
A Doorway in Cairo, 1884. Found in the collection of the The Victoria and Albert Museum, London

Heliopolis, 1878. Artist: William Simpson
Heliopolis, 1878. Found in the collection of the The Victoria and Albert Museum, London

The Railway at Balaklava, 1855-1856. Artist: William Simpson
The Railway at Balaklava, 1855-1856. Unloading supplies from shipping in Balaklava harbour, Crimea. From Illustrations of the War in the East by William Simpson. (London, 1855-1856)

Hospital ward, Scutari, Turkey, 1856. Artist: E Walker
Hospital ward, Scutari, Turkey, 1856. Clean, light and airy ward at the Barracks Hospital in Scutari, (Uskudar), Marmara, Turkey

The New Works at the Siege of Sebastapol... Crimean War, 1853-1856. Artist: William Simpson
The New Works at the Siege of Sebastapol. Mortar battery on right of Jordans battery, Crimean War 1853-1856. From Illustrations of the War in the East by William Simpson. (London, 1855-1856)

A Quiet Day in the Diamond Battery - portrait of a Lancaster 68-pounder, Crimean War 1855-1856. Artist: William Simpson
A Quiet Day in the Diamond Battery - portrait of a Lancaster 68-pounder, Crimean War 1853-1856. From Illustrations of the War in the East by William Simpson. (London, 1855-1856)

Florence Nightingale (1820-1910), English nursing pioneer and hospital reformer. Florence Nightingale inspecting the wards of the military hospital at Scutari during the Crimean War (1853-1856)

World War II photo of the senior American military commanders of the European Theater
Digitally restored vintage World War II photo of the senior American military commanders of the European Theater. Featured men include, standing (from left to right) Ralph Stearley, Hoyt Vandenberg

Theodore Muller after William Simpson (French, 1819-1879), New York et Brooklyn-Vue prise au dessus dela batterie, hand-colored lithograph

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William Simpson was a talented artist known for his detailed and captivating works. One of his notable pieces is "A Christmas Dinner on the Heights before Sevastopol, 1855, " which depicts soldiers celebrating amidst the harsh conditions of war. In another work titled "The Members of the Institute of Painters in Water-Colours, " Simpson showcases his skill in engraving, capturing the essence of this esteemed group. His versatility is evident in "The Golden Temple, Benares, 1862, " where he masterfully combines pencil and watercolor to bring out the beauty and spirituality of this iconic structure. Simpson's talent extended beyond landscapes and architecture; he also depicted historical events such as "The Prince of Wales in the Terai Beating the Jungle with Sir Jung Bahadur Rana. " This painting captures a significant moment between two influential figures. Another historical piece by Simpson is "The Jami Masjid, Delhi, 1864, " showcasing his ability to create intricate details using various mediums. His involvement in documenting war is evident through works like "The Crimea: Panoramic View of Sebastopol Showing the Military Encampments and the Harbour" and "Battle of Tchernaya, 16th August 1855. " These paintings provide an immersive experience into military life during that time period. Simpson's attention to detail shines through in pieces like "The Town Batteries. . of Sebastopol from the advanced parallel of Chapmans Attack" and "Kertch from North. " These artworks display not only his technical skills but also his ability to capture emotions within a scene. "The Cavalry Affair on Heights Bulganak - The First Gun. . 1854" portrays action-packed moments during battle while maintaining clarity and precision. Similarly, Simpson's depiction of Fortress Yenikale offers viewers a glimpse into its grandeur as it overlooks the Sea Azoff.