Wolfgang Amadeus 1756 1791 Collection (#3)

Representation of the character of Figaro, "The Wedding of Figaro"
GIA4763856 Representation of the character of Figaro, " The Wedding of Figaro" (Nozze di Figaro) by Wolfgang Amadeus Mozart of 1786

Frontispiece of Miserere by Allegri and Ave verum corpus by Mozart
LRI4566894 Frontispiece of Miserere by Allegri and Ave verum corpus by Mozart, transcribed by Liszt for piano (1865) by Unknown Artist, (19th century); Biblioteca del Conservatorio G

Page of musical score of Symphony N. 8 in D major, by Mozart (1768)
LRI4566604 Page of musical score of Symphony N. 8 in D major, by Mozart (1768) by Mozart, Wolfgang Amadeus (1756-91); Biblioteca del Conservatorio G

First page of sheet music for Symphony na'4 in D, by Mozart
LRI4566570 First page of sheet music for Symphony nA'4 in D, by Mozart by Mozart, Wolfgang Amadeus (1756-91); Biblioteca del Conservatorio G

Page of the symphony reduced to two pianos and eight hands of Die Zauberflote
LRI4566507 Page of the symphony reduced to two pianos and eight hands of Die Zauberflote, opera by Mozart, Lichtenthal version (19th century) by Unknown Artist

Sheet music page for the first violin in the opening of Mithridate, King of the Pont
LRI4566432 Sheet music page for the first violin in the opening of Mithridate, King of the Pont, opera by Mozart (1770) by Unknown artist, (18th century); Biblioteca del Conservatorio G

Sheet music page of the symphony of Don Giovanni, opera by Mozart (1812)
LRI4566369 Sheet music page of the symphony of Don Giovanni, opera by Mozart (1812) by Unknown Artist, (19th century); Biblioteca del Conservatorio G

Cherubino character in Le nozze di Figaro, opera by Mozart ( 1837)
LRI4566327 Cherubino character in Le nozze di Figaro, opera by Mozart ( 1837) by Anonymous; Private Collection; (add.info)

Opening page of the opera Stratonice by Mehul (1792)
LRI4566029 Opening page of the opera Stratonice by Mehul (1792) by Unknown artist, (18th century); Biblioteca del Conservatorio G

Centenary of the Don Juan (Don Giovanni) of Mozart in 1787
JLJ4606598 Centenary of the Don Juan (Don Giovanni) of Mozart in 1787. First page of Illustrated Paris, issue of 22 October 1887. Paris, Musee Carnavalet

Monument to Wolfgang Amadeus Mozart, 1896 (sculpture)
LRI4596238 Monument to Wolfgang Amadeus Mozart, 1896 (sculpture) by Tilgner, Victor (1844-96); Burggarten, Vienna, Austria; (add.info)

Wolfgang Amadeus Mozart 1756-1791 - engraving - 19th century
GIA4719454 Wolfgang Amadeus Mozart 1756-1791 - engraving - 19th century by Unknown Artist, (19th century); Private Collection; (add.info)

Portrait of Wolfgang Amadeus Mozart, 19th century (engraving)
LRI4724778 Portrait of Wolfgang Amadeus Mozart, 19th century (engraving) by Anonymous; Private Collection; (add.info.: Portrait of Austrian composer Wolfgang Amadeus Mozart (1756-1791) Engraving

Harpsichord of Austrian composer Wolfang Amadeus Mozart (1756-1791
LRI4673186 Harpsichord of Austrian composer Wolfang Amadeus Mozart (1756-1791) (harpsichord of austrian composer Mozart) 18th century Prague, Mozartian museum by Unknown artist

Scenography by Alessandro Sanquirico (1777-1849) for "La Clemence de Tito"
GIA4730315 Scenography by Alessandro Sanquirico (1777-1849) for " La Clemence de Tito" by Wolfgang Amadeus Mozart (1756-1791)

Wolfgang Amadeus Mozart - Augustin de Saint-Aubin (1736-1807)
FIA5406818 Wolfgang Amadeus Mozart - Augustin de Saint-Aubin (1736-1807). Sanguine, black chalk and white colour on paper, ca 1778. Dimension : D 13, 8 cm

Wolfgang Amadeus Mozart (1756-1791) - Detail par Johann Nepomuk della Croce (1736-1819)
FIA5401064 Wolfgang Amadeus Mozart (1756-1791) - Detail par Johann Nepomuk della Croce (1736-1819), 1781 - Oil on canvas - Mozarteum (ISM), Salzburg by Croce

Miniature portrait of Wolfgang Amadeus Mozart (1756-1791)
FIA5401020 Miniature portrait of Wolfgang Amadeus Mozart (1756-1791) by Anonymous; Private Collection; (add.info.: Miniature portrait of Wolfgang Amadeus Mozart (1756-1791) by Anonymous

La clemenza di Tito. The first edition of the vocal score, 1795. Private Collection

The autograph manuscript: Le nozze di Figaro, Opera buffa in four acts, 1785. Found in the collection of Staatsbibliothek zu Berlin

The autograph manuscript: The Magic Flute. Act I aria This portrait is enchantingly beautiful... 1791. Found in the collection of Staatsbibliothek zu Berlin

The autograph manuscript of a three-part Fugue in C, K. deest. Private Collection

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"Wolfgang Amadeus Mozart (1756-1791): A Musical Genius Through the Ages" This captivating collection of artworks and historical documents offers a glimpse into the life and legacy of Wolfgang Amadeus Mozart, one of history's most celebrated composers. The first piece, an oil painting by Josef Lange from 1789, portrays a young Mozart with an air of brilliance and confidence. His piercing gaze hints at the extraordinary talent that would captivate audiences for centuries to come. In the following print from the 1860s, we see another portrait of Mozart, his expression more mature but still exuding an undeniable charm. This image serves as a reminder that even in visual form, his musical genius shines through. Moving beyond portraiture, we encounter scenes from some of Mozart's most famous works. One such scene depicts a performance of his opera Don Juan around 1880. The vibrancy and energy captured in this artwork reflect the dramatic intensity present in all of Mozart's compositions. Delving further into his early years, we discover a letter from Giambattista Martini certifying that he examined young Mozart's compositions in 1770. This document attests to both Mozarts' prodigious talent at a tender age and their dedication to honing their craft. Costume designs for "La Flute Enchantee" provide insight into how music was brought to life on stage during Mozart's time. These intricate drawings by V. Bushina showcase not only the creativity behind each character's attire but also highlight how deeply intertwined music and theater were during this period. Lastly, we are transported back to 1763 when young Wolfgang was presented to Madame de Pompadour at Versailles. Paredes' academic art piece captures this significant moment where two artistic forces converged - royalty recognizing musical greatness. As we explore these various depictions spanning different periods throughout history, it becomes evident why Wolfgang Amadeus Mozart's legacy endures.