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Woman Symbol Collection (#4)

The "woman symbol" has been depicted throughout history in various forms of art, representing different aspects of femininity and empowerment

Background imageWoman Symbol Collection: Advertising board for Fromy cognac: a French soldier from 1815 and a furry from 1915

Advertising board for Fromy cognac: a French soldier from 1815 and a furry from 1915, 1916 (lithograph)
7223630 Advertising board for Fromy cognac: a French soldier from 1815 and a furry from 1915, 1916 (lithograph) by Willette

Background imageWoman Symbol Collection: 'Peri, elephant sacre'Peinture de Gustave Moreau (1826-1898) 1882 National Museum of Western Art

"Peri, elephant sacre"Peinture de Gustave Moreau (1826-1898) 1882 National Museum of Western Art, Tokyo japon
FIA5399981 " Peri, elephant sacre" Peinture de Gustave Moreau (1826-1898) 1882 National Museum of Western Art, Tokyo japon by Moreau, Gustave (1826-98); Musee Gustave Moreau, Paris

Background imageWoman Symbol Collection: 'Abondance'Peinture de Pieter Paul Rubens (1577-1640) vers 1630 National Museum of Western Art

"Abondance"Peinture de Pieter Paul Rubens (1577-1640) vers 1630 National Museum of Western Art, Tokyo Japon
FIA5399984 " Abondance" Peinture de Pieter Paul Rubens (1577-1640) vers 1630 National Museum of Western Art, Tokyo Japon by Rubens, Peter Paul (1577-1640); National Museum of Western Art

Background imageWoman Symbol Collection: L Assiette au Beurre, number 164, Satirique en Couleurs, 1904_5_21: Republican, Administration

L Assiette au Beurre, number 164, Satirique en Couleurs, 1904_5_21: Republican, Administration
ICA4890409 L Assiette au Beurre, number 164, Satirique en Couleurs, 1904_5_21: Republican, Administration, Courier La Poste - Marianne (lithograph) by Hradecky

Background imageWoman Symbol Collection: L Assiette au Beurre, number 93, Satirique en Couleurs, 1903_1_10: Paris, Arc de triomphe

L Assiette au Beurre, number 93, Satirique en Couleurs, 1903_1_10: Paris, Arc de triomphe, Metro - Paris (lithograph)
ICA4880993 L Assiette au Beurre, number 93, Satirique en Couleurs, 1903_1_10: Paris, Arc de triomphe, Metro - Paris (lithograph) by Cadel, Eugene (1865-1940); (add.info.: L Plate au beurre)

Background imageWoman Symbol Collection: Cover of 'Le Lire', Satirique en couleurs, 1897_8_28: Notre Pete-Pere S. M

Cover of "Le Lire", Satirique en couleurs, 1897_8_28: Notre Pete-Pere S. M
ICA4869127 Cover of " Le Lire", Satirique en couleurs, 1897_8_28: Notre Pete-Pere S. M. le Tsar Nicolas II - Russia, French-Russian Alliance, Toulon, Flag tricolor, Cronstadt - Marianne

Background imageWoman Symbol Collection: 'les sept vertus'(Prudence, Justice, foi, charite, esperance, force)

"les sept vertus"(Prudence, Justice, foi, charite, esperance, force)
FIA5393699 " les sept vertus" (Prudence, Justice, foi, charite, esperance, force, temperance) Peinture de Francesco di Stefano Pesellino (1422-1457) vers 1450 Birmingham Museum of Art

Background imageWoman Symbol Collection: 'les sept arts liberaux'(Arithmetique, geometrie, musique, astrologie, logique)

"les sept arts liberaux"(Arithmetique, geometrie, musique, astrologie, logique)
FIA5393690 " les sept arts liberaux" (Arithmetique, geometrie, musique, astrologie, logique, rethorique et grammaire) Peinture de Francesco di Stefano Pesellino (1422-1457)

Background imageWoman Symbol Collection: Femme couronnee, a double visage, debout sur un animal monstrueux

Femme couronnee, a double visage, debout sur un animal monstrueux, qui brandit une coupe et un serpent - Frontispice du
FIA5391229 Femme couronnee, a double visage, debout sur un animal monstrueux, qui brandit une coupe et un serpent - Frontispice du recueil De Alchimia opvscvla complvra vetervm philosophorum

Background imageWoman Symbol Collection: U: Urania

U: Urania
6523500 U: Urania by French School, (19th century); Private Collection; (add.info.: in " Alphabet in figures. J. Langlume and Peltier, publishers, Paris, s. d. (circa 1840)

Background imageWoman Symbol Collection: Allegory of the year 1919, represented as Marianne vetted in blue, white, red

Allegory of the year 1919, represented as Marianne vetted in blue, white, red
6434333 Allegory of the year 1919, represented as Marianne vetted in blue, white, red, triumphant over the enemy, a German soldier headed with a tip helmet

Background imageWoman Symbol Collection: The Force. Sculpture of the south facade of the hotel des Invalides

The Force. Sculpture of the south facade of the hotel des Invalides
7071677 The Force. Sculpture of the south facade of the hotel des Invalides by Coysevox, Antoine (1640-1720); Dome des Invalides, Paris, France; ePascal Lemaitre; French, out of copyright

Background imageWoman Symbol Collection: V: Victory crowning the Xystic winner

V: Victory crowning the Xystic winner
6523501 V: Victory crowning the Xystic winner by French School, (19th century); Private Collection; (add.info.: in " Alphabet in figures. J. Langlume and Peltier, publishers, Paris, s. d)

Background imageWoman Symbol Collection: Signs of the Zodiac. 18th century (engraving)

Signs of the Zodiac. 18th century (engraving)
6437620 Signs of the Zodiac. 18th century (engraving) by Russian School (18th century); Private Collection; (add.info.: Paranormal. Astrology. The sun and the signs of the zodiac)

Background imageWoman Symbol Collection: Prudence. Sculpture of the south facade of the hotel des Invalides

Prudence. Sculpture of the south facade of the hotel des Invalides
7071678 Prudence. Sculpture of the south facade of the hotel des Invalides by Coysevox, Antoine (1640-1720); Dome des Invalides, Paris, France; ePascal Lemaitre; French, out of copyright

Background imageWoman Symbol Collection: 7176914

7176914

Background imageWoman Symbol Collection: Napoleon III. circa 1860-70 (painting)

Napoleon III. circa 1860-70 (painting)
6437773 Napoleon III. circa 1860-70 (painting) by Cabasson, Guillaume-Alphonse Harang (1814-84); Musee de Compiegne, France; (add.info.: History. France. iInd Empire)

Background imageWoman Symbol Collection: Virgo, Illustration from Uranias Mirror, 1825 (etching)

Virgo, Illustration from Uranias Mirror, 1825 (etching)
7075920 Virgo, Illustration from Uranias Mirror, 1825 (etching) by Hall, Sydney (fl.1826); Private Collection; (add.info)

Background imageWoman Symbol Collection: Justice. Sculpture of the south facade of the hotel des Invalides

Justice. Sculpture of the south facade of the hotel des Invalides
7071676 Justice. Sculpture of the south facade of the hotel des Invalides by Coysevox, Antoine (1640-1720); Dome des Invalides, Paris, France; ePascal Lemaitre; French, out of copyright

Background imageWoman Symbol Collection: U: Urania

U: Urania
6523688 U: Urania by Unknown Artist, (19th century); Private Collection; (add.info.: in " Franco-English Leporello (Zebra - Zebra). Publisher unknown, s. d. (circa 1840)

Background imageWoman Symbol Collection: 7176920

7176920

Background imageWoman Symbol Collection: L age de la Sagesse - Study for The Age of Wisdom par Mucha, Alfons Marie (1860-1939)

L age de la Sagesse - Study for The Age of Wisdom par Mucha, Alfons Marie (1860-1939)
FIA5405801 L age de la Sagesse - Study for The Age of Wisdom par Mucha, Alfons Marie (1860-1939). Watercolour on paper, size : 35x32, 1936-1938, A

Background imageWoman Symbol Collection: Le triomphe de la chastete - The Triumph of Chastity - (Lo Scheggia

Le triomphe de la chastete - The Triumph of Chastity - (Lo Scheggia
FIA5407537 Le triomphe de la chastete - The Triumph of Chastity - (Lo Scheggia) Giovanni di Ser Giovanni (1406-1486). Tempera on panel, 1465-1470

Background imageWoman Symbol Collection: Pre-Raphaelite paintings : Pandora (Pandore) par Smetham, James (1821-1889), ca 1865

Pre-Raphaelite paintings : Pandora (Pandore) par Smetham, James (1821-1889), ca 1865
FIA5406109 Pre-Raphaelite paintings : Pandora (Pandore) par Smetham, James (1821-1889), ca 1865. Oil on canvas, 76, 5x61. Private Collection by Smetham

Background imageWoman Symbol Collection: Postcard, Color Satirical: For Law and Freedom - War of 14 -18, Allies

Postcard, Color Satirical: For Law and Freedom - War of 14 -18, Allies
ICA4949459 Postcard, Color Satirical: For Law and Freedom - War of 14 -18, Allies, Flags - Eagle Illustration by Kirchner (1876-1917) by Kirchner, Raphael (1876-1917); (add.info.: Postcard)

Background imageWoman Symbol Collection: Joan of Arc brulee alive, May 30, 1431

Joan of Arc brulee alive, May 30, 1431
XEE4415313 Joan of Arc brulee alive, May 30, 1431. by Unknown Artist, (19th century); Private Collection; (add.info.: Joan of Arc brulee alive, May 30, 1431.); Stefano Bianchetti; out of copyright

Background imageWoman Symbol Collection: Drawing depicting a naked young woman symbolizing hygiene and beauty

Drawing depicting a naked young woman symbolizing hygiene and beauty
LSE4109511 Drawing depicting a naked young woman symbolizing hygiene and beauty. by French School, (20th century); Private Collection; (add.info)

Background imageWoman Symbol Collection: Offers made by women to the god Priape (Priapos), the Asian god of fecondite

Offers made by women to the god Priape (Priapos), the Asian god of fecondite
LSE4112703 Offers made by women to the god Priape (Priapos), the Asian god of fecondite, who came to Greece. Site of worship of Lampsaque

Background imageWoman Symbol Collection: Fresco 'The Triumph of the Republique'

Fresco "The Triumph of the Republique"
JLJ4642558 Fresco " The Triumph of the Republique", 1890-1891 by Pierre-Paul-Leon (Pierre Paul Leon) Glaize (1842-1932)

Background imageWoman Symbol Collection: The Republic by Gerome Jean Leon (1824 - 1904) (allegory - 1848); Mairie des Lilas

The Republic by Gerome Jean Leon (1824 - 1904) (allegory - 1848); Mairie des Lilas
JLJ4642515 The Republic by Gerome Jean Leon (1824 - 1904) (allegory - 1848); Mairie des Lilas by Gerome, Jean Leon (1824-1904); Mairie des Lilas, Seine-Saint-Denis

Background imageWoman Symbol Collection: Fresco 'The Triumph of the Republique'

Fresco "The Triumph of the Republique"
JLJ4642461 Fresco " The Triumph of the Republique", 1890-1891 by Pierre-Paul-Leon (Pierre Paul Leon) Glaize (1842-1932). Detail representing the French provinces

Background imageWoman Symbol Collection: Jacques Marie Gaston Onfroy de Breville dit JOB (1858-1931

Jacques Marie Gaston Onfroy de Breville dit JOB (1858-1931
JLJ4640470 Jacques Marie Gaston Onfroy de Breville dit JOB (1858-1931) - Allegory of America frees from his chains in front of George Washingtons Tomb at Mount Vernon, Private Collection by Job

Background imageWoman Symbol Collection: The Republic by Gerome Jean Leon (1824 - 1904) (allegory - 1848); Mairie des Lilas

The Republic by Gerome Jean Leon (1824 - 1904) (allegory - 1848); Mairie des Lilas
JLJ4642508 The Republic by Gerome Jean Leon (1824 - 1904) (allegory - 1848); Mairie des Lilas by Gerome, Jean Leon (1824-1904); Mairie des Lilas, Seine-Saint-Denis

Background imageWoman Symbol Collection: Fresco 'The Triumph of the Republique'

Fresco "The Triumph of the Republique"
JLJ4642479 Fresco " The Triumph of the Republique", 1890-1891 by Pierre-Paul-Leon (Pierre Paul Leon) Glaize (1842-1932). Detail

Background imageWoman Symbol Collection: Detail of the sculpted groups supporting the Chair realized by Giovanni Pisano (1248-1314

Detail of the sculpted groups supporting the Chair realized by Giovanni Pisano (1248-1314
LRI4584430 Detail of the sculpted groups supporting the Chair realized by Giovanni Pisano (1248-1314): two cardinal virtues (Detail of the sculptures supporting the marble pulpit)

Background imageWoman Symbol Collection: Detail of the sculpted groups supporting the Chair realized by Giovanni Pisano (1248-1314

Detail of the sculpted groups supporting the Chair realized by Giovanni Pisano (1248-1314
LRI4584269 Detail of the sculpted groups supporting the Chair realized by Giovanni Pisano (1248-1314): the Theologales Vertus (Detail of the sculptures supporting the marble pulpit)

Background imageWoman Symbol Collection: Allegory of Prudence, marble sculpture, 1336-1339

Allegory of Prudence, marble sculpture, 1336-1339
LRI4586226 Allegory of Prudence, marble sculpture, 1336-1339 by Balduccio, Giovanni (1290-1339); Basilica di Sant Eustorgio, Milan

Background imageWoman Symbol Collection: Benitier at the pillar decorates the three theological virtues

Benitier at the pillar decorates the three theological virtues
LRI4584818 Benitier at the pillar decorates the three theological virtues and a la vat decoree of the busts of the four cardinal virtues - detail

Background imageWoman Symbol Collection: Cover of 'Le Grelot', Satirique en Couleurs, 1872_3_10

Cover of "Le Grelot", Satirique en Couleurs, 1872_3_10
ICA4877042 Cover of " Le Grelot", Satirique en Couleurs, 1872_3_10: The freedom of the Press - Censorship, Presse/Medias - Lefranc Victor (1809-1883), Anastasie by Le Petit

Background imageWoman Symbol Collection: Postcard, Satirical in Colours, 1915_9_15: Germania - War of 14 -18

Postcard, Satirical in Colours, 1915_9_15: Germania - War of 14 -18
ICA4838459 Postcard, Satirical in Colours, 1915_9_15: Germania - War of 14 -18, Original postcard - Germania Illustration by Abel Faivre (1867-1945) by Faivre

Background imageWoman Symbol Collection: Illustration of Charles Leandre (1862-1934) for the Cover of Le Lire

Illustration of Charles Leandre (1862-1934) for the Cover of Le Lire
ICA4866294 Illustration of Charles Leandre (1862-1934) for the Cover of Le Lire, 12/07/13 - Fritz the wicked - Germany Prussia, War of 14-18 First Mices - Marianne, Napoleon I, Fritz




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The "woman symbol" has been depicted throughout history in various forms of art, representing different aspects of femininity and empowerment. In the Allegory of Music, painted in 1649, a woman is portrayed as the embodiment of harmony and creativity. Similarly, The Sacred Exchange between Saint Francis and Lady Poverty showcases a woman personifying poverty as a virtue. In contrast, The Sin by Franz von Stuck illustrates the temptations faced by women throughout time. It serves as a reminder that women have often been seen as objects of desire rather than individuals with agency. The Votes for Women poster from 1911-1913 highlights the fight for gender equality and suffrage. It captures the determination and resilience of women who fought tirelessly for their rights. Artistic expressions also celebrate female accomplishments in various fields. A poster advertising the Scottish Musical Review depicts a woman playing an instrument, emphasizing her talent and contribution to music. Francois Boucher's painting L'Odalisque portrays an exoticized image of a reclining woman but also reflects societal notions surrounding beauty standards during that era. At Last, an illustration from Punch magazine in 1918 celebrates women warriors who fought for their right to vote during World War I. This artwork acknowledges their bravery while challenging traditional gender roles. Liberty Leading the People is another iconic representation where liberty itself takes on feminine form leading people towards freedom during times of revolution. Other allegorical artworks such as Allegory of Virtue or Venice distributing honors depict women embodying virtues like fortitude or justice respectively. Throughout history, artists have used these symbols to convey messages about femininity, power dynamics, social progress, and individual achievements. These artworks serve as reminders that women have played significant roles in shaping society despite historical limitations imposed upon them.