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Wood Cut Collection (#6)

"Exploring the Celestial Mechanics of Woodcut: A Journey Through Time and Art" Step into a world where wood meets ink

Background imageWood Cut Collection: A Japanese woodcut depicting a Chinese man standing and talking to a Frenchman seated on a chair

A Japanese woodcut depicting a Chinese man standing and talking to a Frenchman seated on a chair holding a goblet
JAPAN: FOREIGNERS, c1861. A Japanese woodcut depicting a Chinese man standing and talking to a Frenchman seated on a chair holding a goblet. Color woodcut by Utagawa Yoshiiku (Ochiai), c1861

Background imageWood Cut Collection: JAPAN: IRIS GARDEN, 1857. Horikiri Iris Garden. Woodcut by Hiroshige Ando, 1857

JAPAN: IRIS GARDEN, 1857. Horikiri Iris Garden. Woodcut by Hiroshige Ando, 1857

Background imageWood Cut Collection: SHIRAI GONPACHI, c1798. The Japanese fictional character Shirai Gonpachi

SHIRAI GONPACHI, c1798. The Japanese fictional character Shirai Gonpachi and the courtesan Miura-ya Komuraski. Woodcut by Utamaro Kitagawa, c1798

Background imageWood Cut Collection: Sugar cane (Saccharum officinarum). Woodcut, 1597, from John Gerards Herball

Sugar cane (Saccharum officinarum). Woodcut, 1597, from John Gerards Herball
SUGAR CANE, 1597. Sugar cane (Saccharum officinarum). Woodcut, 1597, from John Gerards Herball

Background imageWood Cut Collection: (Piper nigrum. ) Woodcut from Cristoval Acostas herbal, Tractado de las Drogas y Medicinas de las

(Piper nigrum. ) Woodcut from Cristoval Acostas herbal, Tractado de las Drogas y Medicinas de las Indias Orientales con
BLACK PEPPER PLANT, 1578. (Piper nigrum.) Woodcut from Cristoval Acostas herbal, " Tractado de las Drogas y Medicinas de las Indias Orientales con sus Plantas

Background imageWood Cut Collection: Japanese geishas serving and entertaining men in the Shikian restaurant along the Sumida River in

Japanese geishas serving and entertaining men in the Shikian restaurant along the Sumida River in the Nakazu district
JAPAN: RESTAURANT, c1786. Japanese geishas serving and entertaining men in the Shikian restaurant along the Sumida River in the Nakazu district, Edo (now Tokyo), Japan

Background imageWood Cut Collection: Earliest European depiction of corn, woodcut from Leonhard Fuchs De Historica Stirpium

Earliest European depiction of corn, woodcut from Leonhard Fuchs De Historica Stirpium
CORN (ZEA MAYS), 1542. Earliest European depiction of corn, woodcut from Leonhard Fuchs De Historica Stirpium

Background imageWood Cut Collection: Arabic physician and philosopher. Avicenna massaging a patient

Arabic physician and philosopher. Avicenna massaging a patient. Woodcut from Avicennae Arabum Medicorum Principis
AVICENNA (980-1037). Arabic physician and philosopher. Avicenna massaging a patient. Woodcut from Avicennae Arabum Medicorum Principis, published in Venice, 1595

Background imageWood Cut Collection: Title page of a volume of Platos works owned by U. S. President John Adams, 18th century

Title page of a volume of Platos works owned by U. S. President John Adams, 18th century
PLATO: TITLE PAGE. Title page of a volume of Platos works owned by U.S. President John Adams, 18th century

Background imageWood Cut Collection: American broadside, probably printed in the state of New York

American broadside, probably printed in the state of New York, reporting on the American defeat against the British at
WAR OF 1812: BROADSIDE. American broadside, probably printed in the state of New York, reporting on the American defeat against the British at Queenston, Ontario, 13 October 1812

Background imageWood Cut Collection: RICHARD STEELE (1672-1729). English writer. Steele in the pillory. Contemporary woodcut

RICHARD STEELE (1672-1729). English writer. Steele in the pillory. Contemporary woodcut

Background imageWood Cut Collection: ARIOSTO: ORLANDO FURIOSO. Page from the first edition of Orlando Furioso, by Ludovico Ariosto

ARIOSTO: ORLANDO FURIOSO. Page from the first edition of Orlando Furioso, by Ludovico Ariosto, early 16th century

Background imageWood Cut Collection: CIVIL WAR: WOUNDED. Searching for the wounded by torchlight after the Battle of Fort Donelson in

CIVIL WAR: WOUNDED. Searching for the wounded by torchlight after the Battle of Fort Donelson in 1862 during the Civil War. Woodcut

Background imageWood Cut Collection: HUNTERS OF KENTUCKY, 1815. American broadsheet featuring the lyrics to The Hunters of Kentucky

HUNTERS OF KENTUCKY, 1815. American broadsheet featuring the lyrics to The Hunters of Kentucky, a ballad written by Samuel Woodworth in honor of Andrew Jackson after his victory against the British

Background imageWood Cut Collection: MATSUO BASHO (1644-1694). Japanese poet. Basho as an old man and a traveler

MATSUO BASHO (1644-1694). Japanese poet. Basho as an old man and a traveler, stopping to talk with two men having tea by the roadside

Background imageWood Cut Collection: VLADIMIR MAYAKOVSKY (1893-1930). Russian poet. Woodcut by Yuri Mogilevsky

VLADIMIR MAYAKOVSKY (1893-1930). Russian poet. Woodcut by Yuri Mogilevsky

Background imageWood Cut Collection: GOSPEL ACCORDING TO LUKE. Luke writing his Gospel. Woodcut, 1478, from a Bible in Low German

GOSPEL ACCORDING TO LUKE. Luke writing his Gospel. Woodcut, 1478, from a Bible in Low German

Background imageWood Cut Collection: MEDIEVAL WRITER. a Medieval writer, possibliy a scribe, in his cell. Woodcut, 15th century

MEDIEVAL WRITER. a Medieval writer, possibliy a scribe, in his cell. Woodcut, 15th century

Background imageWood Cut Collection: HANS SACHS (1494-1576). German poet and meistersinger. Woodcut, German, 1567

HANS SACHS (1494-1576). German poet and meistersinger. Woodcut, German, 1567

Background imageWood Cut Collection: VIRGIL (70-19 B. C. ). Roman poet. Woodcut from an edition of Virgils Aeneid published at Venice

VIRGIL (70-19 B. C. ). Roman poet. Woodcut from an edition of Virgils Aeneid published at Venice, Italy, in 1532
VIRGIL (70-19 B.C.). Roman poet. Woodcut from an edition of Virgils Aeneid published at Venice, Italy, in 1532

Background imageWood Cut Collection: PHYSIOGNOMY, 1637. Forehead of a poet and musician. Woodcut, 1637, from Ciro Spontinis Metoposcopia

PHYSIOGNOMY, 1637. Forehead of a poet and musician. Woodcut, 1637, from Ciro Spontinis Metoposcopia

Background imageWood Cut Collection: JOHN HEYWOOD (1497-1580). English epigrammatist. English woodcut frontispiece to his The Spider

JOHN HEYWOOD (1497-1580). English epigrammatist. English woodcut frontispiece to his The Spider and the Flie, 1556

Background imageWood Cut Collection: SCRIBE: PAOLO ATTAVANTI. Woodcut from Paolo Attavantis Breviarium totius juris canonici, Milan

SCRIBE: PAOLO ATTAVANTI. Woodcut from Paolo Attavantis Breviarium totius juris canonici, Milan, Italy, 1497

Background imageWood Cut Collection: SIR JOHN MANDEVILLE (fl. 1356). English writer. Woodcut from French edition of his Travels, c1845

SIR JOHN MANDEVILLE (fl. 1356). English writer. Woodcut from French edition of his Travels, c1845

Background imageWood Cut Collection: MONK: SCRIBE, 1488-89. Monk seated writing. Woodcut, from the Mer des Hystoires, Paris, 1488-89

MONK: SCRIBE, 1488-89. Monk seated writing. Woodcut, from the Mer des Hystoires, Paris, 1488-89

Background imageWood Cut Collection: PIERRE DE RONSARD (1524-1585). French poet. Woodcut frontispiece to the 1552 edition of Ronsards

PIERRE DE RONSARD (1524-1585). French poet. Woodcut frontispiece to the 1552 edition of Ronsards Amours

Background imageWood Cut Collection: JAPAN: LETTER WRITER, 1733. A Japanese man with two women, one of whom is writing a letter

JAPAN: LETTER WRITER, 1733. A Japanese man with two women, one of whom is writing a letter. Color woodcut by Masanobu Okumura, c1733

Background imageWood Cut Collection: FRANCOIS VILLON (1431-1463). French poet. Woodcut portrait from the Grand Testament de Maistre

FRANCOIS VILLON (1431-1463). French poet. Woodcut portrait from the Grand Testament de Maistre Francois Villon, Paris, France, 1489

Background imageWood Cut Collection: PETER I & IVAN V. Russian co-czars Peter I and his half-brother Ivan V on throne

PETER I & IVAN V. Russian co-czars Peter I and his half-brother Ivan V on throne, who ruled together, 1682-1696. Wood engraving, 17th century

Background imageWood Cut Collection: K ANG-HSI (1654-1722). Emperor of China, 1661-1722. Scene in Peking on the occasion of K ang Hsis

K ANG-HSI (1654-1722). Emperor of China, 1661-1722. Scene in Peking on the occasion of K ang Hsis arrival for the celebration of his 60th birthday

Background imageWood Cut Collection: FRANKLIN PIERCE (1804-1869). 14th President of the United States

FRANKLIN PIERCE (1804-1869). 14th President of the United States

Background imageWood Cut Collection: HORSEBACK RIDING. A man and woman on horseback. Woodcut, American, 19th century

HORSEBACK RIDING. A man and woman on horseback. Woodcut, American, 19th century

Background imageWood Cut Collection: CONQUEST OF PERU, 1532. Title page of Pedro Sancho de Hozs account of the Spanish conquest of

CONQUEST OF PERU, 1532. Title page of Pedro Sancho de Hozs account of the Spanish conquest of Peru, printed in Seville, 1534. The woodcut shows the arrest of Atahualpa by the Spanish in 1532

Background imageWood Cut Collection: STAGECOACH, 19TH CENTURY. Woodcut, American, 19th century

STAGECOACH, 19TH CENTURY. Woodcut, American, 19th century

Background imageWood Cut Collection: STEAM ENGINE, 19TH CENTURY. A U. S. mail train. Woodcut, 19th century

STEAM ENGINE, 19TH CENTURY. A U. S. mail train. Woodcut, 19th century
STEAM ENGINE, 19TH CENTURY. A U.S. mail train. Woodcut, 19th century

Background imageWood Cut Collection: ASTRONOMER, 1533. Astronomers using astronomical sextants to measure the altitude of the moon

ASTRONOMER, 1533. Astronomers using astronomical sextants to measure the altitude of the moon and the height of buildings. Woodcut, 1533

Background imageWood Cut Collection: VENICE: MURANO, c1500. The island of Murano in the Venetian lagoon

VENICE: MURANO, c1500. The island of Murano in the Venetian lagoon. Detail of Jacopo Barbaris Bird s-Eye View of Venice, woodcut, c1500

Background imageWood Cut Collection: JAPAN: WATERFRONT, c1860. A French woman and a Dutch man seated near the waterfront with ships in

JAPAN: WATERFRONT, c1860. A French woman and a Dutch man seated near the waterfront with ships in the background, and showing the Japanese characters for meteorology, geography, and directions above

Background imageWood Cut Collection: JAPAN: YOKOHAMA, c1861. An American merchant and his daughter walking with a dog on a leash in

JAPAN: YOKOHAMA, c1861. An American merchant and his daughter walking with a dog on a leash in Yokohama, Japan. Japanese woodcut in colors by Sadahide Utagawa, c1861

Background imageWood Cut Collection: KING OF ITALY, c1861. A man seated in a chair entitled People of Barbarian Nations

KING OF ITALY, c1861. A man seated in a chair entitled People of Barbarian Nations, The King of Italy. Japanese woodcut in colors by Yoshitsuya Utagawa, c1861

Background imageWood Cut Collection: JAPAN: WOMAN WITH DOG. A French woman walking her dog, accompanied by a dark-skinned man wearing a

JAPAN: WOMAN WITH DOG. A French woman walking her dog, accompanied by a dark-skinned man wearing a turban. Woodcut in colors by Sadahide Utagawa, c1860

Background imageWood Cut Collection: JAPAN: YOKOHAMA, c1861. The kitchen in a foreign settlement house where food is being prepared

JAPAN: YOKOHAMA, c1861. The kitchen in a foreign settlement house where food is being prepared and a man is getting a shave in an adjoining room. Woodcut in colors by Yoshikazu Utagawa, c1861

Background imageWood Cut Collection: JAPAN: COOKING Caucasian men cooking in the kitchen of a foreign settlement house in Japan with a

JAPAN: COOKING Caucasian men cooking in the kitchen of a foreign settlement house in Japan with a dog in the foreground. Woodcut in colors by Yoshikazu Utagawa, c1860

Background imageWood Cut Collection: SAINT ANDREW. Patron saint of Scotland. Woodcut

SAINT ANDREW. Patron saint of Scotland. Woodcut

Background imageWood Cut Collection: MEDIEVAL FALCONRY, c1460. Medieval Italian falconers. Line engraving after a woodcut, c1460

MEDIEVAL FALCONRY, c1460. Medieval Italian falconers. Line engraving after a woodcut, c1460

Background imageWood Cut Collection: JACOBs DREAM. (Genesis 28: 10-22). Woodcut from the Cologne Bible, 1478-80

JACOBs DREAM. (Genesis 28: 10-22). Woodcut from the Cologne Bible, 1478-80

Background imageWood Cut Collection: SCHOOLMASTER, c1500. Woodcut, English, c1500

SCHOOLMASTER, c1500. Woodcut, English, c1500

Background imageWood Cut Collection: PARIS: PILLORY. The pillory at Les Halles, in Paris. 18th century engraving

PARIS: PILLORY. The pillory at Les Halles, in Paris. 18th century engraving




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"Exploring the Celestial Mechanics of Woodcut: A Journey Through Time and Art" Step into a world where wood meets ink, as we embark on a captivating journey through history and art. From medieval masterpieces to modern marvels, woodcuts have left an indelible mark on human creativity. In 1605, Samuel de Champlain's map of Port St. Louis, later known as Plymouth, Massachusetts, showcased the intricate details that could be achieved through this technique. The precision and beauty of his work set the stage for future artists to explore new horizons. Fast forward to 1515 when Durer's world map mesmerized viewers with its intricacy and accuracy. This masterpiece demonstrated how woodcuts could not only capture geographical landscapes but also convey knowledge about celestial mechanics. Edvard Munch's "The Kiss, " created in 1897-98 using woodcut techniques, revealed the emotional depth that could be expressed through this medium. Each stroke carved into the wood conveyed passion and longing in a way that resonated with audiences worldwide. Woodcuts were not limited to European art; they found their place in depicting historical events such as the Spanish Conquest of Tenochtitlan (Mexico City) in 1556. The colored woodcut vividly portrayed this pivotal moment in history, capturing both triumph and tragedy. French artist Kiyochika Kobayashi took woodcutting to new heights by creating thought-provoking images like "A Whale and Three Fish. " This piece depicted Japan devouring Russian sailors during a tumultuous period around 1905—a powerful representation of national identity intertwined with political tensions. Japanese samurai warriors came alive through Shuntei Katsukawa's skillful hand in his c1820 woodblock print featuring Ichijo Jiro Tadanori and Notonokami Noritsune locked in battle. Their fierce expressions captured both honor and conflict within feudal Japan.