Work Tools Collection (#6)

Capital letters Plate in "Picturesque alphabet or New informative and picturesque alphabet", 1892 (engraving)
DUV4220533 Capital letters Plate in "Picturesque alphabet or New informative and picturesque alphabet", 1892 (engraving); 27x17.5 cm; (add.info)

An armillary sphere
3740717 An armillary sphere; (add.info.: Illustration depicting an armillary sphere. An armillary sphere is a model of objects in the sky consisting of a spherical framework of rings)

An armillary sphere
3740714 An armillary sphere; (add.info.: Illustration depicting an armillary sphere. An armillary sphere is a model of objects in the sky consisting of a spherical framework of rings)

Hand comb for long staple wool, 1844
3480148 Hand comb for long staple wool, 1844; (add.info.: Line drawing of hand comb for long staple wool used for worsted; in the textile industry; English 19th century; 1844)

Child labour in 1911 (b/w photo)
2599306 Child labour in 1911 (b/w photo); (add.info.: Teixiera family, 50 Lombardt St. New Bedford. Mary J. 11 years; Manuel 10 years)

Economy. The iron, industry and uses. c.1900 (chromoo)
2636210 Economy. The iron, industry and uses. c.1900 (chromoo; Private Collection; (add.info.: Economy. The iron, industry and uses. c.1900); Photo © CCI

The Great Eastern compass, 1850
3330795 The Great Eastern compass, 1850; (add.info.: Illustration depicting The Great Eastern compass. Dated 19th Century.); Universal History Archive/UIG

The Mastersingers of Nuremberg, opera by R. Wagner. c.1900 (chromo)
3433694 The Mastersingers of Nuremberg, opera by R. Wagner. c.1900 (chromo); (add.info.: Music. Classical music. Hans sachs, the cobbler)

Stone: from the quarry to the sculptor workshop, early 20th century (chromo)
1790139 Stone: from the quarry to the sculptor workshop, early 20th century (chromo); (add.info.: the stone trade in France, from the quarry to the sculptor workshop)

Page from Gamage's General Catalogue (96th edition), c.1927 (litho)
8670011 Page from Gamage's General Catalogue (96th edition), c.1927 (litho) by English School, (20th century); Private Collection; (add.info)

In the Days of the Great Shadow (colour litho)
8673146 In the Days of the Great Shadow (colour litho) by Robinson, Frederick Cayley (1862-1927); Private Collection; (add.info.: In the Days of the Great Shadow)

Compasses placed in a lodge of Entered Apprentices (engraving)
8673106 Compasses placed in a lodge of Entered Apprentices (engraving) by American School, (19th century); Private Collection; (add.info.: Compasses placed in a lodge of Entered Apprentices)

Candidate taking the oath of a Fellow Craft (engraving)
8673103 Candidate taking the oath of a Fellow Craft (engraving) by American School, (19th century); Private Collection; (add.info.: Candidate taking the oath of a Fellow Craft)

Candidate taking the oath of a Master Mason (engraving)
8673102 Candidate taking the oath of a Master Mason (engraving) by American School, (19th century); Private Collection; (add.info.: Candidate taking the oath of a Master Mason)

Children protecting their pet dog from the hot sun (colour litho)
8635291 Children protecting their pet dog from the hot sun (colour litho) by English School, (20th century); Private Collection; (add.info.: Children protecting their pet dog from the hot sun)

Samson and Delilah (colour litho)
8635642 Samson and Delilah (colour litho) by Tillack, Johannes Adolf (1861-1948); Private Collection; (add.info.: Samson and Delilah, Judges 16:20. Old Testament Pictures)

I scarcely know how to commence (colour litho)
8635505 I scarcely know how to commence (colour litho) by English School, (20th century); Private Collection; (add.info.: I scarcely know how to commence, bald man with only one hair at the barbers)

Saturday (colour litho)
8674340 Saturday (colour litho) by Miles, Helen J.A. (19th century); Private Collection; (add.info.: Saturday. Illustration for Tiles from Dame Marjorie's Chimney Corner)

Blacksmith's workshop in ancient Greece (litho)
8663782 Blacksmith's workshop in ancient Greece (litho) by German School, (20th century); Private Collection; (add.info.: Blacksmith's workshop in ancient Greece)

Ornament: Metal Objects, The Scissors (engraving)
8647161 Ornament: Metal Objects, The Scissors (engraving) by German School, (19th century) (after); Private Collection; (add.info.: Metal Objects, The Scissors)

Medieval steelworks (woodcut)
8655509 Medieval steelworks (woodcut) by German School, (16th century) (after); Private Collection; (add.info.: Medieval steelworks)

Hammer (litho)
8647540 Hammer (litho) by English School, (20th century); Private Collection; (add.info.: Hammer. Illustration for The Motoring Encyclopedia (Amalgamated Press, c 1939).); © Look and Learn

The "Red Lion, " Rake (litho)
8643730 The "Red Lion, " Rake (litho) by Harper, Charles George (1863-1943); Private Collection; (add.info.: The "Red Lion, " Rake)

Fire-Fighting Appliances: Motor-Cycle "First-Aid" Fire-Fighting Outfit (colour litho)
8665673 Fire-Fighting Appliances: Motor-Cycle "First-Aid" Fire-Fighting Outfit (colour litho) by English School

Fire-Fighting Appliances: Hand "Fire-Suds" Machine in use (colour litho)
8665663 Fire-Fighting Appliances: Hand "Fire-Suds" Machine in use (colour litho) by English School, (20th century); Private Collection; (add.info)

Fire-Fighting Appliances: "Quick-Hitch" Harness, about 1881 (colour litho)
8665643 Fire-Fighting Appliances: "Quick-Hitch" Harness, about 1881 (colour litho) by English School, (20th century); Private Collection; (add.info.: "Quick-Hitch" Harness)

Fire-Fighting Appliances: Hand-Drawn Hose-Carriage and Reel, 1873 (colour litho)
8665635 Fire-Fighting Appliances: Hand-Drawn Hose-Carriage and Reel, 1873 (colour litho) by English School, (20th century); Private Collection; (add.info.: Hand-Drawn Hose-Carriage and Reel, 1873)

Fire-Fighting Appliances: "Tozer" Fire-Pump, about 1870 (colour litho)
8665631 Fire-Fighting Appliances: "Tozer" Fire-Pump, about 1870 (colour litho) by English School, (20th century); Private Collection; (add.info.: "Tozer" Fire-Pump, about 1870)

Fire-Fighting Appliances: 17th Century Fire Apparatus (colour litho)
8665625 Fire-Fighting Appliances: 17th Century Fire Apparatus (colour litho) by English School, (20th century); Private Collection; (add.info.: 17th Century Fire Apparatus)

Fire-Fighting Appliances: Six-Wheeled Motor Fire-Engine with "Hatfield" Pump (colour litho)
8665668 Fire-Fighting Appliances: Six-Wheeled Motor Fire-Engine with "Hatfield" Pump (colour litho) by English School

Fire-Fighting Appliances: Smoke-Helmets in use (colour litho)
8665664 Fire-Fighting Appliances: Smoke-Helmets in use (colour litho) by English School, (20th century); Private Collection; (add.info.: Smoke-Helmets in use)

Fire-Fighting Appliances: Line-Throwing Gun in use (colour litho)
8665662 Fire-Fighting Appliances: Line-Throwing Gun in use (colour litho) by English School, (20th century); Private Collection; (add.info.: Line-Throwing Gun in use)

Fire-Fighting Appliances: Operating a Large Jet (colour litho)
8665659 Fire-Fighting Appliances: Operating a Large Jet (colour litho) by English School, (20th century); Private Collection; (add.info.: Operating a Large Jet)

Fire-Fighting Appliances: Motor Turn-Table Fire-Escape, 1908 (colour litho)
8665653 Fire-Fighting Appliances: Motor Turn-Table Fire-Escape, 1908 (colour litho) by English School, (20th century); Private Collection; (add.info.: Motor Turn-Table Fire-Escape, 1908)

Fire-Fighting Appliances: "Quadricycle" "First-Aid" Hose-Carrier, 1895 (colour litho)
8665650 Fire-Fighting Appliances: "Quadricycle" "First-Aid" Hose-Carrier, 1895 (colour litho) by English School

Fire-Fighting Appliances: London Fireman and Manual Engine, about 1750 (colour litho)
8665622 Fire-Fighting Appliances: London Fireman and Manual Engine, about 1750 (colour litho) by English School, (20th century); Private Collection; (add.info.: London Fireman and Manual Engine)

Dwarf fishing, c.1930 (illustration)
8698318 Dwarf fishing, c.1930 (illustration); (add.info.: Literature. Fairy Tales. A dwarf fishing. Illustration, France, ca 1930.); © Archives Charmet

Surface of a shoemeker's rasp (b/w photo)
8625926 Surface of a shoemeker's rasp (b/w photo) by Henning, Paul (1898-1953); Private Collection; (add.info.: Magnified detail of the surface of a shoemeker's rasp)

John Harrison, Print, after Thomas King's 1767 oil portrait, in the collection of the Science Museum, London
7337507 John Harrison, Print, after Thomas King's 1767 oil portrait, in the collection of the Science Museum, London. 1768 (mezzotint) by Tassaert

Marine spotting scope (Longview), with marine signal flag code, c.1810 (object)
MMM5476130 Marine spotting scope (Longview), with marine signal flag code, c.1810 (object); National Maritime Museum, London, UK; (add.info.: Marine spotting scope (Longview)

Cosimo I de Medici (Cosimo I de Medici, 1519-1574) planning the conquest of Siena in 1555. Detail
BEN5475972 Cosimo I de Medici (Cosimo I de Medici, 1519-1574) planning the conquest of Siena in 1555. Detail. With a compass and a map on his desk, he is looking for a combat strategy

A relic from the Expedition (1845-1848) by John Franklin (1786-1847): a mast hoop, marked with a large arrow
MMM5476564 A relic from the Expedition (1845-1848) by John Franklin (1786-1847): a mast hoop, marked with a large arrow, 1845 (steel); National Maritime Museum, London

Retractable telescope and its foot, which belonged to the Reverend George Fischer (1794-1873)
MMM5476392 Retractable telescope and its foot, which belonged to the Reverend George Fischer (1794-1873), c.1815 (mahogany and copper); National Maritime Museum, London

Universal equinoxial ring dial, reverse, for all latitudes. Brass instrument, c.1715 (brass)
MMM5475138 Universal equinoxial ring dial, reverse, for all latitudes. Brass instrument, c.1715 (brass); National Maritime Museum, London, UK; (add.info.: Universal equinoxial ring dial, reverse)

Universal equinoxial dial for all latitudes, deployed. Brass instrument and enamel, c.1800-50 (brass)
MMM5475103 Universal equinoxial dial for all latitudes, deployed. Brass instrument and enamel, c.1800-50 (brass); National Maritime Museum, London

Universal equinoxial dial for Latitude 0, reverse Brass instrument, c.1675-1715, by Michael Butterfield (brass)
MMM5475096 Universal equinoxial dial for Latitude 0, reverse Brass instrument, c.1675-1715, by Michael Butterfield (brass); National Maritime Museum, London

Sundial from Augsburg (Germany), deployed, for latitude 0. Copper and silver instrument, 1682 (copper and silver)
MMM5474505 Sundial from Augsburg (Germany), deployed, for latitude 0. Copper and silver instrument, 1682 (copper and silver); National Maritime Museum, London

Sundial from Augsburg (Germany), deployed, for latitude 12 degrees. Brass instrument, 18th century (brass)
MMM5474454 Sundial from Augsburg (Germany), deployed, for latitude 12 degrees. Brass instrument, 18th century (brass); National Maritime Museum, London

For sale as Licensed Images

Choose your image, Select your licence and Download the media

In the workshop of goldsmith Gavriel, a mesmerizing array of silver jewellery parts and they are be seen. The intricate pieces of silver gleam under the soft glow of the workshop lights, reflecting the dedication and skill that goes into their creation, and is a place where craftsmanship meets artistry. Amidst this creative haven, tapestry hangs on the walls, depicting Verdure with Arms of Miro from 1500-25. Its vibrant colors and detailed design serve as inspiration for Gavriel's meticulous work. Nearby, an engraving captures the essence of Galileo's Dialogo sopra i due massimi sistemi del mondo, published in 1632. This intellectual masterpiece reminds Gavriel to constantly question and explore new possibilities in his craft. A woodcut drawing portrays an artist engrossed in sketching a lute from 1525. The image evokes a sense of focus and passion for one's chosen medium – qualities that resonate deeply within Gavriel's own artistic journey. The Forge of Vulcan painting adorns another wall, showcasing the power and strength required to shape raw materials into something extraordinary. It serves as a reminder that hard work is essential to transform ideas into reality. Moving forward in time, an oil painting titled Boat Builder captures the spirit of innovation and progress at its core – traits shared by both craftsmen like Gavriel and those who strive to push boundaries in any field. However, not all depictions are positive reflections; an antisemitic cartoon titled "At thirty deniers" mocks diversity through derogatory stereotypes. Yet even amidst such prejudice, there is resilience – everything must pay off eventually. An engraving graces another corner - it covers Galileo Galilei Linceo Al Sermo Ferd II Big Duca di Toscana’s Dialogo di Galileo Galilei publication from 1632. Its presence symbolizes the importance of knowledge and intellectual growth in Gavriel's work.