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Wyeth Collection (#2)

"Wyeth: A Journey Through Time and Imagination" Step into the enchanting world of Wyeth, where art comes alive with every stroke

Background imageWyeth Collection: ROBINSON CRUSOE, 1920. Written by Daniel Defoe. Illustration for 1920 edition by N

ROBINSON CRUSOE, 1920. Written by Daniel Defoe. Illustration for 1920 edition by N.C. Wyeth

Background imageWyeth Collection: ROBINSON CRUSOE, 1920. Illustration, 1920, by N. C. Wyeth

ROBINSON CRUSOE, 1920. Illustration, 1920, by N. C. Wyeth
ROBINSON CRUSOE, 1920. Illustration, 1920, by N.C. Wyeth

Background imageWyeth Collection: ROBINSON CRUSOE. Illustration, 1920, by N. C. Wyeth

ROBINSON CRUSOE. Illustration, 1920, by N. C. Wyeth
ROBINSON CRUSOE. Illustration, 1920, by N.C. Wyeth

Background imageWyeth Collection: ROBINSON CRUSOE. Robinson Crusoe and his parrot. Illustration, 1920, by N. C. Wyeth

ROBINSON CRUSOE. Robinson Crusoe and his parrot. Illustration, 1920, by N. C. Wyeth
ROBINSON CRUSOE. Robinson Crusoe and his parrot. Illustration, 1920, by N.C. Wyeth

Background imageWyeth Collection: ROBERT MOFFAT (1795-1883). Scottish missionary. Oil by William Scott

ROBERT MOFFAT (1795-1883). Scottish missionary. Oil by William Scott

Background imageWyeth Collection: DANIEL BOONE (1734-1820). American pioneer. Oil and tempera on panel, 1939, by N

DANIEL BOONE (1734-1820). American pioneer. Oil and tempera on panel, 1939, by N.C. Wyeth, from the America in the Making series

Background imageWyeth Collection: TREASURE ISLAND, 1911. Captain Smollet defies the mutineers. Illustration by N

TREASURE ISLAND, 1911. Captain Smollet defies the mutineers. Illustration by N.C. Wyeth from a 1911 edition of Robert Louis Stevensons Treasure Island, originally published in 1883

Background imageWyeth Collection: LAST OF THE MOHICANS, 1919. The Fight in the Forest: illustration by N

LAST OF THE MOHICANS, 1919. The Fight in the Forest: illustration by N.C. Wyeth from the 1919 edition of The Last of the Mohicans by James Fenimore Cooper

Background imageWyeth Collection: LAST OF THE MOHICANS, 1919. Illustration by N

LAST OF THE MOHICANS, 1919. Illustration by N.C. Wyeth from the 1919 edition of The Last of the Mohicans by James Fenimore Cooper

Background imageWyeth Collection: WYETH: ROBIN HOOD, 1917. The Passing of Robin Hood. Oil on canvas, 1917, by N. C. Wyeth

WYETH: ROBIN HOOD, 1917. The Passing of Robin Hood. Oil on canvas, 1917, by N. C. Wyeth
WYETH: ROBIN HOOD, 1917. The Passing of Robin Hood. Oil on canvas, 1917, by N.C. Wyeth

Background imageWyeth Collection: WYETH: ROBIN HOOD, 1917. Robin Hood defeats Nat of Nottingham at quarter-staff

WYETH: ROBIN HOOD, 1917. Robin Hood defeats Nat of Nottingham at quarter-staff. Oil on canvas, 1917, by N.C. Wyeth for an edition of Robin Hood

Background imageWyeth Collection: WYETH: ROBIN HOOD, 1917. Little John fights with a cook in the sheriffs house

WYETH: ROBIN HOOD, 1917. Little John fights with a cook in the sheriffs house. Oil on canvas, 1917, by N.C. Wyeth for an edition of Robin Hood

Background imageWyeth Collection: WYETH: ROBIN HOOD, 1917. Robin Hood Wrestles Will Stuteley at Gamewell. Oil on canvas, 1917, by N

WYETH: ROBIN HOOD, 1917. Robin Hood Wrestles Will Stuteley at Gamewell. Oil on canvas, 1917, by N.C. Wyeth for an edition of Robin Hood

Background imageWyeth Collection: WYETH: ROBIN HOOD, 1917. Robin Hood and his companions lend aid to Will o th Green from ambush

WYETH: ROBIN HOOD, 1917. Robin Hood and his companions lend aid to Will o th Green from ambush. Oil on canvas, 1917, by N.C. Wyeth for an edition of Robin Hood

Background imageWyeth Collection: GILBERT: ROBIN HOOD. Title page from the edition of Henry Gilberts Robin Hood illustrated by N

GILBERT: ROBIN HOOD. Title page from the edition of Henry Gilberts Robin Hood illustrated by N.C. Wyeth in 1917

Background imageWyeth Collection: ROBINSON CRUSOE, 1920. Title page of Daniel Defoes Robinson Crusoe. Illustration by N

ROBINSON CRUSOE, 1920. Title page of Daniel Defoes Robinson Crusoe. Illustration by N.C. Wyeth

Background imageWyeth Collection: TREASURE ISLAND, 1911. Israel Hands. Illustration, 1911, by N

TREASURE ISLAND, 1911. Israel Hands. Illustration, 1911, by N.C. Wyeth for Robert Louis Stevensons Treasure Island

Background imageWyeth Collection: TREASURE ISLAND, 1911. Captain Bones routs Black Dog. Illustration, 1911, by N

TREASURE ISLAND, 1911. Captain Bones routs Black Dog. Illustration, 1911, by N.C. Wyeth for Robert Louis Stevensons " Treasure Island."

Background imageWyeth Collection: MAYFLOWER COMPACT, 1620. The signing of the Mayflower Compact off the coast of Provincetown

MAYFLOWER COMPACT, 1620. The signing of the Mayflower Compact off the coast of Provincetown, Massachusetts, 11 November 1620. Oil and tempera on panel, 1939, by N.C

Background imageWyeth Collection: The Astrologer. Oil on canvas, 1916, by N. C. Wyeth, for The Mysterious Stranger by Mark Twain

The Astrologer. Oil on canvas, 1916, by N. C. Wyeth, for The Mysterious Stranger by Mark Twain
ASTROLOGER, 1916. The Astrologer. Oil on canvas, 1916, by N.C. Wyeth, for The Mysterious Stranger by Mark Twain

Background imageWyeth Collection: Deerslayer with Judith: illustration by N. C. Wyeth to a 1925 edition of The Deerslayer by James

Deerslayer with Judith: illustration by N. C. Wyeth to a 1925 edition of The Deerslayer by James Fenimore Cooper
COOPER: DEERSLAYER, 1925. Deerslayer with Judith: illustration by N.C. Wyeth to a 1925 edition of " The Deerslayer" by James Fenimore Cooper

Background imageWyeth Collection: Judith went herself on the platform... [where] she found Chingachgook studying the shores of

Judith went herself on the platform... [where] she found Chingachgook studying the shores of the lake
COOPER: DEERSLAYER, 1925. Judith went herself on the platform... [where] she found Chingachgook studying the shores of the lake. Illustration by N.C

Background imageWyeth Collection: Title page illustration by N. C. Wyeth for a 1911 edition of Robert Louis Stevensons Treasure Island

Title page illustration by N. C. Wyeth for a 1911 edition of Robert Louis Stevensons Treasure Island
TREASURE ISLAND, 1911. Title page illustration by N.C. Wyeth for a 1911 edition of Robert Louis Stevensons Treasure Island, first published in 1883

Background imageWyeth Collection: Hurry Harry seized the nearest Huron by the waist, raised him entirely from the platform

Hurry Harry seized the nearest Huron by the waist, raised him entirely from the platform
COOPER: DEERSLAYER, 1925. Hurry Harry seized the nearest Huron by the waist, raised him entirely from the platform, and hurled him into the water. Illustration by N.C

Background imageWyeth Collection: A man of gigantic mould broke out of the tangled labyrinth of a small swamp

A man of gigantic mould broke out of the tangled labyrinth of a small swamp, emerging into an opening
COOPER: DEERSLAYER, 1925. A man of gigantic mould broke out of the tangled labyrinth of a small swamp, emerging into an opening. Illustration by N.C

Background imageWyeth Collection: Written by Daniel Defoe: illustration for 1920 edition by N. C. Wyeth

Written by Daniel Defoe: illustration for 1920 edition by N. C. Wyeth
ROBINSON CRUSOE, 1920. Written by Daniel Defoe: illustration for 1920 edition by N.C. Wyeth

Background imageWyeth Collection: The attack on the block house. Illustration, 1911, by N. C. Wyeth for Robert Louis Stevensons

The attack on the block house. Illustration, 1911, by N. C. Wyeth for Robert Louis Stevensons Treasure Island
TREASURE ISLAND, 1911. The attack on the block house. Illustration, 1911, by N.C. Wyeth for Robert Louis Stevensons Treasure Island

Background imageWyeth Collection: The fight in the cabin. Illustration, 1911, by N. C. Wyeth for Robert Louis Stevensons Treasure

The fight in the cabin. Illustration, 1911, by N. C. Wyeth for Robert Louis Stevensons Treasure Island
TREASURE ISLAND, 1911. The fight in the cabin. Illustration, 1911, by N.C. Wyeth for Robert Louis Stevensons Treasure Island

Background imageWyeth Collection: Deerslayer, tied to a stake, endures trial by tomahawk and knife at the hands of the Huron Native

Deerslayer, tied to a stake, endures trial by tomahawk and knife at the hands of the Huron Native Americans
COOPER: DEERSLAYER, 1925. Deerslayer, tied to a stake, endures trial by tomahawk and knife at the hands of the Huron Native Americans. Illustration by N.C

Background imageWyeth Collection: LIBERTY BELL, 1776. Ringing Out Liberty, July 8 1776. Colored lithograph, c1929

LIBERTY BELL, 1776. Ringing Out Liberty, July 8 1776. Colored lithograph, c1929, after a painting by N. C. Wyeth
LIBERTY BELL, 1776. Ringing Out Liberty, July 8 1776. Colored lithograph, c1929, after a painting by N.C. Wyeth

Background imageWyeth Collection: Ringing Out Liberty, July 8 1776. Lithograph, c1929, after a painting by N. C. Wyeth

Ringing Out Liberty, July 8 1776. Lithograph, c1929, after a painting by N. C. Wyeth
LIBERTY BELL, 1776. Ringing Out Liberty, July 8 1776. Lithograph, c1929, after a painting by N.C. Wyeth

Background imageWyeth Collection: WYETH: ROBIN HOOD & MARIAN. Robin Hood meets Maid Marian at the royal tourney: oil on canvas

WYETH: ROBIN HOOD & MARIAN. Robin Hood meets Maid Marian at the royal tourney: oil on canvas, 1917, by N. C. Wyeth
WYETH: ROBIN HOOD & MARIAN. Robin Hood meets Maid Marian at the royal tourney: oil on canvas, 1917, by N.C. Wyeth

Background imageWyeth Collection: STAGECOACH ROBBERS. Hands up! Painting, 1906, by N. C. Wyeth

STAGECOACH ROBBERS. Hands up! Painting, 1906, by N. C. Wyeth
STAGECOACH ROBBERS. Hands up! Painting, 1906, by N.C. Wyeth




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"Wyeth: A Journey Through Time and Imagination" Step into the enchanting world of Wyeth, where art comes alive with every stroke. From the captivating illustrations of Robert Louis Stevenson's "Treasure Island" to the wild spirit captured in "Bucking Bronco, " N. C. Wyeth's talent knows no bounds. In 1911, Wyeth brought the beloved characters of Treasure Island to life through his stunning illustration. The vivid colors and intricate details transport us straight into the heart of this timeless adventure. But it doesn't stop there - Wyeth's creativity spans across various themes and genres. In "Robinson Crusoe, " he masterfully illustrates another classic tale, capturing both its isolation and resilience in a single image. Wyeth's versatility shines through as he delves into different subjects like "The Exotic Dancer" or portrays his daughter Alison in her own unique light. Each piece tells a story, inviting us to explore their hidden narratives. One cannot help but be mesmerized by the allure of "Venetian Mask, A Romance. " The vibrant hues dance on canvas, whisking us away to an era filled with mystery and passion. "The Seeker" takes us on a soul-searching journey as we witness a figure yearning for something beyond what meets the eye, and is a poignant reminder that sometimes our greatest adventures lie within ourselves. With works such as "A Son of his Father, " Wyeth captures familial bonds and heritage with profound emotion. His brushstrokes breathe life into each character, evoking empathy from even the most distant observer. From book covers like "Robinson Crusoe" to whimsical scenes like "The Gnomes Bowling, " Wyeth showcases his ability to transport us effortlessly between worlds - from reality to fantasy - leaving our imaginations ignited with wonderment. And who could forget about Old Albert? This endearing portrait reminds us that age is merely a number, and the spirit within can never be extinguished.