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MACBETH, 1936. Jack Carter as Macbeth in the Federal Theatre Projects production

MACBETH, 1936. Jack Carter as Macbeth in the Federal Theatre Projects production


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MACBETH, 1936. Jack Carter as Macbeth in the Federal Theatre Projects production

MACBETH, 1936.
Jack Carter as Macbeth in the Federal Theatre Projects production of Macbeth at the Lafayette Theatre in Harlem, 1936

Granger holds millions of images spanning more than 25,000 years of world history, from before the Stone Age to the dawn of the Space Age

Media ID 13642722

1936 Actor Black Carter Costume Federal Theatre Project Harlem Jack Lafayette Theatre Macbeth Northeast Play Shakespeare Theatre Throne Voodoo Macbeth


MACBETH, 1936 - Jack Carter Takes the Stage as Macbeth in Harlem's Historic Lafayette Theatre

EDITORS COMMENTS
. This photograph captures a pivotal moment in theater history - the Federal Theatre Projects production of "Macbeth" at the Lafayette Theatre in Harlem, 1936. The talented African American actor, Jack Carter, dons an elaborate costume as he embodies the iconic character of Macbeth. The sepia-toned image exudes a sense of early theatrical charm and nostalgia. Carter's commanding presence is palpable as he sits upon a regal throne, surrounded by fellow actors who bring Shakespeare's tragedy to life on stage. The Federal Theatre Project was part of President Franklin D. Roosevelt's New Deal initiatives during the Great Depression. It aimed to provide employment for artists and entertainers while bringing affordable theater productions to communities across America. In this particular production known as "Voodoo Macbeth" director Orson Welles infused elements of African culture into Shakespeare's classic play. Set against the backdrop of Northeastern United States' vibrant Harlem neighborhood, this adaptation added new dimensions to familiar characters and themes. Granger Art on Demand presents this remarkable print from their extensive collection showcasing significant moments in art and cultural history. This evocative image serves as a testament to both artistic excellence and social progress within American theater during a time when opportunities for African American actors were limited.

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