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A rejected design for the red and black inlaid marble floor of the Pantheon of the Kings at El Escorial palace in Spain. Drawing by architect Juan de Herrera, c1570
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A rejected design for the red and black inlaid marble floor of the Pantheon of the Kings at El Escorial palace in Spain. Drawing by architect Juan de Herrera, c1570
EL ESCORIAL: FLOOR DESIGN.
A rejected design for the red and black inlaid marble floor of the Pantheon of the Kings at El Escorial palace in Spain. Drawing by architect Juan de Herrera, c1570
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Media ID 10410902
1570 Circle Design Diagram El Escorial Floor Geometric Herrera Juan Marble Monastery Palace Pantheon Pattern Plan Spain Spanish Inlay
EDITORS COMMENTS
This print showcases a rejected design for the red and black inlaid marble floor of the Pantheon of the Kings at El Escorial palace in Spain. Created by architect Juan de Herrera around 1570, this drawing offers a glimpse into the intricate planning process behind one of Spain's most iconic architectural wonders. The image reveals an exquisite pattern that combines elements of late Renaissance and Spanish architecture. The geometric precision is evident as circles intersect with meticulously placed lines, forming an elaborate mosaic-like composition. This rejected design exemplifies Herrera's dedication to creating harmonious spaces within the royal palace. El Escorial, known for its grandeur and historical significance, was not only a royal residence but also served as a monastery. The attention to detail in this floor plan reflects both its regal purpose and religious undertones. As we delve into this artwork from The Granger Collection, we are transported back in time to witness the artistic vision that shaped El Escorial's interior. Although ultimately discarded, this drawing serves as a testament to Herrera's talent and his commitment to perfection. Whether you appreciate architectural marvels or have an affinity for Spanish history, this print allows you to admire the beauty found even in rejected designs – reminding us that creativity knows no bounds when it comes to leaving lasting impressions on our built environment.
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