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The actor Fujikawa Tomokichi II as Okaru, wife of Kanpei, early 19th century

The actor Fujikawa Tomokichi II as Okaru, wife of Kanpei, early 19th century


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The actor Fujikawa Tomokichi II as Okaru, wife of Kanpei, early 19th century

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Media ID 24369935

© Heritage Art/Heritage Images

Cross Dressing Drag Dramatic Expression Facial Expression Female Impersonator Hand Gestures Hand Held Hands Kabuki Kabuki Actor Kuniyasu Utagawa Oban Onnagata Oyama Utagawa Kuniyasu Colour Woodblock Print


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> Arts > Artists > J > Japanese School Japanese School

> Asia > Japan > Related Images

> Asia > Related Images

> Europe > United Kingdom > Scotland > Strathclyde > Oban


EDITORS COMMENTS
This print showcases the renowned actor Fujikawa Tomokichi II in his role as Okaru, the wife of Kanpei, during the early 19th century. The image is a stunning example of Utagawa Kuniyasu's ukiyo-e woodblock printing technique, which beautifully captures the essence and artistry of Kabuki theater. In this portrayal, Fujikawa Tomokichi II flawlessly embodies Okaru with remarkable skill and dedication. His facial expression exudes both strength and vulnerability, reflecting the dramatic nature of Kabuki performances. The hand gestures he employs further enhance his character's emotional depth and intensity. The concept of cross-dressing is central to this piece, as male actors traditionally played female roles in Kabuki theater. Known as onnagata or oyama, these performers were highly skilled at portraying women convincingly through their gestures, expressions, and overall demeanor. The vibrant colors used in this woodblock print add an extra layer of visual appeal to the composition. They bring life to every detail - from Okaru's elaborate costume adorned with a delicate fan to the intricate patterns that adorn her surroundings. As we admire this artwork today at the Art Institute Chicago's gallery dedicated to Asian arts, we are transported back in time to witness a mesmerizing performance that has captivated audiences for centuries. It serves as a testament not only to Fujikawa Tomokichi II's exceptional talent but also to Japan's rich cultural heritage and its enduring love for theatrical

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