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The Actor Segawa Kikunojo II as the Courtesan Maizuru in the Play Furisode Kisaragi

The Actor Segawa Kikunojo II as the Courtesan Maizuru in the Play Furisode Kisaragi


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The Actor Segawa Kikunojo II as the Courtesan Maizuru in the Play Furisode Kisaragi

The Actor Segawa Kikunojo II as the Courtesan Maizuru in the Play Furisode Kisaragi Soga (Soga of the Long, Hanging Sleeves in the Second Month), Performed at the Ichimura Theater from the Twentieth Day of the Second Month, 1772, c. 1772

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Media ID 24376397

© Heritage Art/Heritage Images

Buncho Buncho Ippitsusai Clog Clogs Courtesan Cross Dressing Drag Female Impersonator Geta Hosoban Ippitsusai Bunchō Kabuki Kabuki Actor Kishi Mori Onnagata Oxen Oyama Sandal Sandals Shoe Shoes Colour Woodblock Print Playhouse


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This woodblock print, titled "The Actor Segawa Kikunojo II as the Courtesan Maizuru in the Play Furisode Kisaragi" transports us back to 18th century Japan during the Edo period. Created by renowned artist Ippitsusai Buncho around 1772, this piece showcases the vibrant world of Kabuki theater. In this scene, we see Segawa Kikunojo II skillfully embodying the role of Maizuru, a courtesan known for her elegance and allure. Dressed in a stunning furisode kimono with long hanging sleeves that flow gracefully as she moves, Kikunojo captivates audiences with her mesmerizing performance. Buncho's meticulous attention to detail is evident in every aspect of this print. From the intricate patterns on Maizuru's kimono to the delicate clogs (geta) adorning her feet, each element adds depth and authenticity to the composition. The use of color further enhances the visual impact, bringing life and vibrancy to both characters and setting. Kabuki theater was not limited by gender roles; male actors often portrayed female characters like Maizuru through a practice called onnagata or oyama. This cross-dressing tradition added an extra layer of complexity and artistry to performances. "The Actor Segawa Kikunojo II as the Courtesan Maizuru" stands as a testament to both Japanese artistic heritage and Buncho's mastery of ukiyo-e woodblock printing technique. As we admire this remarkable artwork at The Art Institute Chicago's gallery dedicated to Asian arts, we are transported into a world where drama unfolds on stage amidst vibrant costumes and powerful storytelling techniques.

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