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The actors Segawa Kikunojo III as the courtesan Kojoro of the Mikuniya and Arashi Sanpachi... 1798. Creator: Utagawa Toyokuni I
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The actors Segawa Kikunojo III as the courtesan Kojoro of the Mikuniya and Arashi Sanpachi... 1798. Creator: Utagawa Toyokuni I
The actors Segawa Kikunojo III as the courtesan Kojoro of the Mikuniya and Arashi Sanpachi I as her elder brother Kujuro in the play " Tomigaoka Koi no Yamabiraki, " performed at the Kiri Theater in the first month, 1798, 1798
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Media ID 25325357
© Heritage Art/Heritage Images
Brother Cartouche Character Clan Courtesan Cream Cream Colour Drag Female Impersonator Hair Ornament Hamamuraya Roko Kabuki Kabuki Actor Kanzashi Kikunojo Iii Kikunojo Segawa Kikunojo Segawa Iii Kiri Theatre Oban Onnagata Oyama Segawa Kikunojo Iii Segawa Kikunojo Iv Sister Toyokuni I Toyokuni Utagawa Utagawa I Toyokuni Utagawa School Utagawa Toyokuni Utagawa Toyokuni I Color Woodblock Print Playhouse
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EDITORS COMMENTS
This print showcases the actors Segawa Kikunojo III and Arashi Sanpachi I in their mesmerizing roles as the courtesan Kojoro of the Mikuniya and her elder brother Kujuro. The image captures a moment from the play "Tomigaoka Koi no Yamabiraki" which was performed at the prestigious Kiri Theater in January 1798 during Japan's Edo period. The actors' elaborate costumes, meticulously designed by Utagawa Toyokuni I, reflect the fashion trends of that era. Their vibrant kimono robes feature intricate patterns and are adorned with hair ornaments called kanzashi. The black color woodblock print adds depth to their characters, highlighting their dramatic expressions and gestures. Kikunojo III's portrayal of Kojoro, a renowned female impersonator known as an onnagata, is particularly noteworthy. His skillful performance blurs gender boundaries as he embodies both femininity and strength. Meanwhile, Sanpachi I brings authenticity to his role as Kujuro, capturing the essence of a protective older brother within this theatrical production. This artwork not only represents a significant moment in Japanese theater history but also serves as a testament to Utagawa Toyokuni I's artistic prowess. As one explores this stunning piece at the Art Institute Chicago or any other art gallery or center worldwide, they can appreciate its cultural significance and marvel at how it continues to captivate audiences even after two centuries have passed.
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