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Additions to the Assyrian Sculptures at the British Museum: The King in his Chariot, 1856. Creator: Harvey Orrin Smith
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Additions to the Assyrian Sculptures at the British Museum: The King in his Chariot, 1856. Creator: Harvey Orrin Smith
Additions to the Assyrian Sculptures at the British Museum: The King in his Chariot, 1856. Slab...from the North Palace at Kouyunjik, discovered in 1854 by Mr. Hormuzd Rassam...We have a continuous series, with but one break, of twenty three slabs, depicting a Royal Lion hunt...We find also in these sculptures good evidence that the Kings of Assyria were not genuine huntsmen. They did not seek the lion and hunt him in his own jungle, but had him trapped and reserved for special occasions...[The slab] is most elaborately cut, and full of rich detail. The King is in his chariot with two attendants - one driving, the other holding an umbrella. An attendant walks by the side, and two more follow with fans'. From "Illustrated London News", 1856
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Adiabene Assyria Assyrian British Museum Chariot H Orrin Smith Co Harvey Orrin Smith Iraq Lion Hunting Nineveh Orrin Smith H Co Orrin Smith Harvey Parasol Parasols Relief Smith Harvey Orrin Umbrella Umbrellas Appropriation
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EDITORS COMMENTS
This print, titled "Additions to the Assyrian Sculptures at the British Museum: The King in his Chariot," was created by Harvey Orrin Smith in 1856. The image is derived from a slab discovered in 1854 by Hormuzd Rassam at the North Palace of Kouyunjik in Iraq, near the ancient city of Niniveh. The slab is part of a continuous series of twenty-three, depicting a Royal Lion Hunt, with only one interruption. The intricately engraved slab showcases the Assyrian King in his chariot, flanked by two attendants. One attendant steers the chariot, while the other holds an umbrella to shield the monarch from the sun. An additional attendant walks beside the chariot, and two more follow, bearing fans. The King himself is depicted in regal attire, dressed in the fashion of the time, with a parasol held overhead for added protection. Despite the portrayal of the King as a skilled hunter, evidence from these sculptures suggests that the Assyrian monarchs were not genuine huntsmen. Instead, lions were likely trapped and reserved for special occasions. The slab is elaborately cut and full of rich detail, providing a fascinating glimpse into the culture and fashion of ancient Assyria. This print was originally published in the "Illustrated London News" in 1856, offering a window into the world of archaeological discoveries and the fashion of the nineteenth century. The print showcases the King's profile, as well as the intricate details of his chariot and the accessories carried by his attendants. The image offers a unique blend of history, art, and fashion, making it a valuable addition to any collection.
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