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The Three Ages of Man (After Titian), ca 1681-1682. Creator: Sassoferrato (1609-1685)

The Three Ages of Man (After Titian), ca 1681-1682. Creator: Sassoferrato (1609-1685)


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The Three Ages of Man (After Titian), ca 1681-1682. Creator: Sassoferrato (1609-1685)

The Three Ages of Man (After Titian), ca 1681-1682. Found in the collection of the Galleria Borghese, Rome

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Media ID 36224967

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Eternity Futility Galleria Borghese Life And Death Memento Mori Mythology Allegory And Literature Roman School Sassoferrato 1609 1685 Transience Vain Vanitas Vanity


FEATURES IN THESE COLLECTIONS

> Arts > Art Movements > Baroque

> Arts > Artists > I > Italian School Italian School

> Arts > Artists > R > Roman Roman

> Arts > Artists > S > Sassoferrato

> Arts > Artists > T > Titian

> Arts > Artists > Titian > Baroque style paintings

> Arts > Artists > Titian > Classical mythology in art

> Arts > Artists > Titian

> Arts > Still life artwork > Oil paintings

> Arts > Realistic drawings > Still life artwork > Oil paintings


EDITORS COMMENTS
The Three Ages of Man," a captivating oil on canvas painting by the Italian Baroque artist Sassoferrato, dates back to approximately 1681-1682 and is currently housed in the esteemed Galleria Borghese in Rome. This masterpiece is a stunning reinterpretation of Titian's iconic work of the same name, showcasing the universally relatable themes of life's transience and the inescapable passage of time. The painting depicts three stages of human life: infancy, adulthood, and old age. Each figure is depicted with an expression that embodies the essence of their respective age. The infant, represented by a chubby, playful boy, symbolizes innocence and the promise of a new life. The adult, a strong and virile man, represents the prime of life, filled with vitality and strength. The elderly man, with his wrinkled face and frail body, symbolizes the inevitability of aging and the approach of death. Sassoferrato masterfully employs the use of allegory to convey the futility of human existence. The background of the painting is adorned with various symbols of vanity and memento mori, such as a skull, a broken hourglass, and a wilting flower. These symbols serve as a reminder of the transience of life and the inevitability of death. The Three Ages of Man is a testament to the enduring power of Baroque art and the human condition. It invites us to reflect on the fleeting nature of life and the importance of cherishing every moment. This painting is a must-see for anyone interested in the history of art, mythology, and the human experience. Sassoferrato's masterful use of color, light, and form creates a visually stunning work of art that continues to captivate and inspire viewers to this day. The painting's timeless beauty and profound message make it a treasured addition to the Galleria Borghese's collection and a true masterpiece of the Roman School.

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