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Altarpiece: the Trinity, the Virgin, Saint John and Donors, c. 1480. Artist: Jacopo del Sellaio (1442-1493)

Altarpiece: the Trinity, the Virgin, Saint John and Donors, c. 1480. Artist: Jacopo del Sellaio (1442-1493)


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Altarpiece: the Trinity, the Virgin, Saint John and Donors, c. 1480. Artist: Jacopo del Sellaio (1442-1493)

Altarpiece: the Trinity, the Virgin, Saint John and Donors, c. 1480. Found in the collection of the National Museum of Western Art, Tokyo

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Media ID 14899516

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Father Florentine School Gnadenstuhl God The Father Holy Spirit Holy Trinity John The Baptist Son Of God The Holy Trinity Trinity Mother Of God


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EDITORS COMMENTS
This print showcases the exquisite Altarpiece: the Trinity, the Virgin, Saint John and Donors, created around 1480 by renowned Italian artist Jacopo del Sellaio. Housed within the esteemed collection of the National Museum of Western Art in Tokyo, this masterpiece exemplifies the beauty and significance of Renaissance art. The altarpiece depicts a profound scene from Christian theology, featuring the Holy Trinity at its core. God the Father is represented as an elderly figure seated on a throne, while Jesus Christ stands beside him as his divine Son. The ethereal presence of the Holy Spirit is symbolized by a dove hovering above them. To their left stands Mary, revered as both Mother of God and Madonna. On their right is Saint John the Baptist, known for baptizing Jesus in biblical accounts. These central figures are surrounded by donors who commissioned this artwork to express their devotion to Christianity. Delicately painted with oil on wood using techniques characteristic of Florentine School artists during that era, this altarpiece radiates spiritual energy and awe-inspiring craftsmanship. Its intricate details invite viewers to contemplate upon themes such as faith, salvation, and divine love. As we gaze upon this remarkable piece through our print reproduction provided by Heritage Images (not affiliated with any company), we are transported back in time to witness a momentous chapter in art history—a testament to humanity's enduring fascination with religious iconography and devotion to higher powers.

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