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The Anointing Stone from the Ambulatory of the Crusaders Church, 1902. Creator: John Fulleylove
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The Anointing Stone from the Ambulatory of the Crusaders Church, 1902. Creator: John Fulleylove
The Anointing Stone from the Ambulatory of the Crusaders Church, 1902. Inside the entrance to the church of the Holy Sepulchre is the Stone of Anointing traditionally believed to be the spot where Jesus body was prepared for burial. From " The Holy Land", painted by John Fulleylove, R.I. [Adam & Charles Black, London, 1902]
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Media ID 18910186
© The Print Collector/Heritage Images
A And C Black Adam And Charles Adam And Charles Black Ambulatory Cella Christian Quarter Fulleylove Holy Holy Land Israel Jerusalem John Fulleylove Old City Pilgrimage Romanesque Shrine Step Steps Unesco World Heritage Site Zion Crusader Church
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EDITORS COMMENTS
The Anointing Stone: A Sacred Relic in the Heart of Jerusalem This print showcases 'The Anointing Stone from the Ambulatory of the Crusaders Church' as captured by John Fulleylove in 1902. Nestled inside the entrance to the church of the Holy Sepulchre, this revered stone is believed to be where Jesus' body was prepared for burial. In this remarkable image, we are transported back in time to witness a momentous piece of history. The baroque architecture surrounding the stone exudes an air of grandeur and reverence. As two women stand beside it, their presence adds a human touch to this sacred site. John Fulleylove's masterful brushstrokes bring life and color to this scene from 'The Holy Land'. His attention to detail allows us to appreciate every intricacy within the ambulatory. From architectural elements like Romanesque arches and steps leading up to the shrine, each feature contributes to an atmosphere steeped in religious significance. As we gaze upon this print, we can almost feel ourselves stepping into Jerusalem's ancient past. It serves as a poignant reminder of Christianity's deep roots and its enduring impact on believers worldwide. This photograph not only captures a physical location but also encapsulates centuries worth of faith, pilgrimage, and devotion. Designated as a UNESCO World Heritage Site, The Church of Holy Sepulchre continues to draw visitors seeking solace or spiritual connection. Through John Fulleylove's lens, we are granted access into its hallowed halls—a testament both to his artistic prowess and our collective desire for cultural preservation.
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