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An archbishop, late 12th century, (1843). Artist: Henry Shaw

An archbishop, late 12th century, (1843). Artist: Henry Shaw


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An archbishop, late 12th century, (1843). Artist: Henry Shaw

An archbishop, late 12th century, (1843). Archbishop in pontifical dress. The lower part of the alba is visible above the ankles, over this is the fringed tunic, and then the richly ornamented dalmatic, descending to the knees. On top is the chasuble, thrown over the body, with a standing collar. On the left arm is the maniple. Embroidered caligae (boots) reached to the knees. Behind the mitre are the vittae or infulae. The two marks, the pall or narrow label running around the shoulders, made of white wool with purple crosses, distinguished the archibishop from the bishop. Illustration from Dresses and Decorations of the Middle Ages from the Seventh to the Seventeenth Centuries, by Henry Shaw, (London, 1843)

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Media ID 14905411

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Archbishop Benediction Bishop Blessing Chasuble Crosier Crozier Crucifix Gesture Henry Henry Shaw Mitre Shaw


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EDITORS COMMENTS
This photo print, titled "An archbishop, late 12th century" and created by Henry Shaw in 1843, offers a glimpse into the attire and regalia of an esteemed religious figure from medieval times. The archbishop is depicted in his pontifical dress, showcasing the intricate layers and ornate details that adorned such high-ranking clergy. The archbishop's ensemble begins with the alba, visible above his ankles, followed by a fringed tunic and a richly embellished dalmatic that descends to his knees. Draped over his body is the chasuble with its distinctive standing collar. Adorning his left arm is the maniple while embroidered caligae boots reach up to his knees. A striking mitre crowns the archbishop's head, accompanied by vittae or infulae cascading behind it. Notably, two marks - a narrow label known as pall made of white wool with purple crosses - distinguish him as an archbishop rather than a bishop. With this image capturing both the sartorial splendor and symbolic significance of ecclesiastical vestments during this period, it provides valuable insight into religious practices of centuries past. The archbishop's presence exudes authority as he holds a crozier and raises one hand in what appears to be a gesture of blessing or benediction. Henry Shaw masterfully brings history alive through this illustration from "Dresses and Decorations of the Middle Ages from Seventh to Seventeenth Centuries" allowing us to appreciate both the artistry involved in these garments' creation and their role within Christian traditions.

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