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Arresting Deserters, 1896
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Arresting Deserters, 1896
Arresting Deserters, 1896. Typogravure after the aquarelle made c1860-1896 by T De Thulstrup. From Life of Napoleon Bonaparte, Volume III, by William Milligan Sloane. [The Century Co. New York, 1896]
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Media ID 15213410
© The Print Collector / Heritage-Images
1st Consul Bonaparte Arrest Arresting Bonaparte Bonaparte General Bonaparte The Corsican Boney Deserter Emperor Napoleon Emperor Of France First Consul Bonaparte General Bonaparte Napo Napoleon Napoleon 1 Napoleon 1st Napoleon Bonaparte Napoleon Bonaparte I Napoleon I Napoleon L Napoleone Di Buonaparte Napoleonic Napoleonic Wars Sloane Typogravure William Milligan William Milligan Sloane Thulstrup Thure
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This typogravure print, titled "Arresting Deserters, 1896" takes us back to the tumultuous era of the Napoleonic Wars in the late 18th and early 19th centuries. Created by T De Thulstrup based on an aquarelle made between 1860 and 1896, this artwork is part of William Milligan Sloane's comprehensive biography, "Life of Napoleon Bonaparte". The scene depicted showcases one of the many challenges faced by Napoleon Bonaparte during his reign as Emperor of France. In this arresting image, we witness a group of soldiers apprehending deserters who have abandoned their duties on the battlefield. The stern expression on Bonaparte's face reveals his determination to maintain order within his ranks. Thulstrup's masterful use of color brings life to this historical moment. The vibrant hues highlight both the intensity and gravity surrounding these events. Each figure portrayed represents a different facet of society affected by war - from brave soldiers fulfilling their duty to those tempted by fear or disillusionment. As we gaze upon this print, we are transported into a pivotal period in history where power struggles and military conquests shaped nations. It serves as a reminder that even great leaders like Napoleon faced internal challenges amidst external conflicts. Preserved through time thanks to The Century Co. , New York in 1896, this remarkable piece allows us to reflect upon the complexities inherent in human nature during times of war – loyalty versus self-preservation
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