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Asavari Ragini, the Fourth Wife of Shri Raga, Folio from a Ragamala (Garland of Melodies), c1790. Creator: Unknown
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Asavari Ragini, the Fourth Wife of Shri Raga, Folio from a Ragamala (Garland of Melodies), c1790. Creator: Unknown
Asavari Ragini, the Fourth Wife of Shri Raga, Folio from a Ragamala (Garland of Melodies), c1790
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Media ID 36346270
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1790s Cobra Folio Fourth Wife Hindu Hinduism Ragamala Ragamala Painting Ragini Ragmala Rajasthan Reptile Reptiles Snake Snake Charmer South East Asia Southeast Asia Southeast Asian Taming Wife Wives Hindoostan Watercolour On Paper
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Asavari Ragini, the Fourth Wide of Shri Raga: A Captivating Portrait from a Ragamala Folio, c1790 This exquisite folio, dating back to the 1790s, is an enchanting example of the Ragamala (Garland of Melodies) tradition in Indian art. The image showcases Asavari Ragini, the fourth wife of the Hindu god Shri Raga, in a tranquil forest setting. Seated on a rock, Asavari Ragini is depicted in a serene posture, her graceful form adorned with intricate jewelry and an elegant sari. The presence of a cobra, coiled around her arm, adds an intriguing layer to this portrait. In Hindu mythology, the cobra represents Shiva, the god of destruction and regeneration. The union of the goddess and the snake symbolizes the power of love and the taming of the wild, representing the balance between the divine and the natural world. The artist masterfully employs opaque watercolor and gold and silver on paper to create a mesmerizing effect. The vibrant blue and green hues of the forest backdrop contrast beautifully with the rich colors of Asavari Ragini's attire. This painting originates from Rajasthan, a region in Northwest India known for its rich artistic heritage. The Ragamala tradition, which emerged during the 16th century, is characterized by its intricate compositions and symbolic representation of various ragas (melodies) and their associated emotions. Asavari Ragini's portrait is a testament to the captivating allure of Indian art and the intricate narratives it conveys. This folio, now housed at the Los Angeles County Museum of Art (LACMA), serves as an essential addition to the museum's extensive collection of Asian and South East Asian art.
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