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Assouan, Ruines de l Ancienne Enciente Arabe, au Sud-Est de la Ville, 1851-52

Assouan, Ruines de l Ancienne Enciente Arabe, au Sud-Est de la Ville, 1851-52


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Assouan, Ruines de l Ancienne Enciente Arabe, au Sud-Est de la Ville, 1851-52

Assouan, Ruines de l Ancienne Enciente Arabe, au Sud-Est de la Ville, 1851-52, printed 1853-54

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Media ID 20135035

© Heritage Art/Heritage Images

Arab Archaeological As Said Assuan Aswan Aswan As Said Egypt Desert Felix Felix Teynard Salted Paper Print Teynard Teynard Felix Mizraim


FEATURES IN THESE COLLECTIONS

> Africa > Egypt > Aswan

> Arts > Artists > T > Felix Teynard

> Arts > Landscape paintings > Landscape art > Landscape paintings

> Arts > Landscape paintings

> Europe > France > Related Images

> North America > United States of America > New York > New York > Sights > Metropolitan Museum of Art


EDITORS COMMENTS
This photo print, titled "Assouan, Ruines de l Ancienne Enciente Arabe, au Sud-Est de la Ville, 1851-52" takes us back to the enchanting landscapes of 19th century Egypt. Captured by the talented French photographer Felix Teynard in 1853-54, this image showcases the archaeological site of Assouan with its ancient Arab ruins. The photograph transports us to a time when Egypt's rich heritage was being rediscovered and documented by explorers and artists alike. The desolate desert backdrop adds an air of mystery and intrigue to the scene as we contemplate the stories these ruins hold within their weathered walls. Teynard's meticulous use of salted paper printing technique brings out intricate details in both the buildings and surrounding landscape. Each crumbling structure stands as a testament to centuries gone by, evoking a sense of awe for those who appreciate history and archaeology. Displayed at The Metropolitan Museum of Art, this photograph serves as a window into another era. It invites viewers to immerse themselves in the beauty and grandeur that once graced this location. As we gaze upon this remarkable piece from Teynard's collection, we are reminded of how art can capture not only physical structures but also emotions tied to our shared human past.

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