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Assumption of the Virgin, n.d. Creator: School of Carlo Maratti Italian, 1612-1666
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Assumption of the Virgin, n.d. Creator: School of Carlo Maratti Italian, 1612-1666
Assumption of the Virgin, n.d
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Media ID 36205821
© Heritage Art/Heritage Images
Amorini Assumption Assumption Of The Virgin Black Chalk Brown Ink Carlo Maratta Carlo Maratti Cherubim Maratti Carlo St Mary Wash Angelic Cherubs Laid Paper Pen And Ink Drawing Putti Santo
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EDITORS COMMENTS
This exquisite 17th century Italian drawing, titled "Assumption of the Virgin," is a masterpiece from the School of Carlo Maratti. The artist, whose name is attributed to this work but not definitively confirmed, skillfully captures the essence of the Assumption of the Virgin Mary into heaven, an essential concept in Christian belief and art. The drawing is executed in pen and brown ink with brush and brown wash and black chalk on ivory laid paper, laid down on another sheet of ivory laid paper. The use of chalk and ink creates a beautiful contrast between the delicate lines of the figures and the rich, warm tones of the wash. The scene unfolds in the heavens, with the Virgin Mary, dressed in flowing robes, being lifted up by cherubs and putti, or amorini, as they carry her towards the celestial realm. The figures are depicted with grace and elegance, their faces expressing joy and reverence. The use of cherubs and putti in the Assumption of the Virgin was a common motif in Italian art of the time, symbolizing the divine nature of Mary and the spiritual ascent to heaven. The drawing is a testament to the artistic skill and cultural heritage of the period, and a beautiful example of the use of pen and ink as a medium for expressing religious themes. This work of art is currently housed in the Art Institute of Chicago, where it is on display for visitors to appreciate and study. The drawing is not only a historic artifact, but also a work of art that continues to inspire and captivate viewers with its intricate details and timeless beauty.
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