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Bacchus, Ceres and Venus, 1612-1655. Creator: Cornelis Schut I
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Bacchus, Ceres and Venus, 1612-1655. Creator: Cornelis Schut I
Bacchus, Ceres and Venus, 1612-1655
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Media ID 36385568
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Afer Publius Terentius Afro Publio Terencio Arm Raised Arm Up Bacchus Ceres Corneille Scut Cornelis Schut Cornelis Schut I Crockery Desire Dish Four People High Baroque Moderation Plate Pleasure Publio Terencio Afro Publius Terentius Afer Schut Cornelis Schut Cornelis I Scut Corneille Semi Dress Semi Naked Terence Terentius Terentius Publius Venus Dane Danes National Gallery Of Denmark Posture Roman Mythology Statens Museum For Kunst Tableware
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Cornelis Schut I's captivating oil painting, "Bacchus, Ceres, and Venus," dates back to the Baroque era between 1612 and 1655. This masterpiece, showcased in the National Gallery of Denmark, depicts four figures from Roman mythology: Bacchus, Ceres, and two boys. Bacchus, the god of wine, is depicted with an arm raised in a joyful gesture, a wreath of ivy and grapes adorning his head. He is the embodiment of pleasure and desire, surrounded by the abundance of wine and the joy it brings. Ceres, the goddess of agriculture and harvest, is shown with an arm up, gesturing towards a plate or dish, symbolizing the fertility and abundance of the earth. Her semi-dressed figure, with a cornucopia at her feet, represents the bounty of the land. Venus, the goddess of love, is depicted in a semi-naked form, with a seductive and inviting posture. She is the embodiment of beauty and desire, and her presence adds an element of passion and sensuality to the scene. The two boys, possibly Dionysus and Silenus, are shown looking up at the goddesses with admiration and wonder. They represent the innocence and curiosity of youth, and their presence adds a sense of playfulness and mischief to the painting. The painting's rich colors and intricate details bring the mythological figures to life, transporting the viewer to a world of mythology, religion, and desire. The oil on canvas technique adds depth and texture to the painting, making it a true masterpiece of the High Baroque era.
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