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Bacha de Caramanie, plate seven from Caravanne du Sultan à la Mecque, 1748. Creator: Joseph-Marie Vien the Elder
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Bacha de Caramanie, plate seven from Caravanne du Sultan à la Mecque, 1748. Creator: Joseph-Marie Vien the Elder
Bacha de Caramanie, plate seven from Caravanne du Sultan a la Mecque, 1748
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Media ID 36196042
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Caravanne Du Sultan A La Mecque Etching On Ivory Laid Paper Hajj Iran Joseph Marie Le Vien Joseph Marie Vien Joseph Marie Vien The Elder Legs Apart Mecca Mohammedan Moslem Moslems Muslim Muslims Pasha Pilgrimage Rank Turban Turbans Vien Joseph Marie Vien Joseph Marie Comte Vien Joseph Marie I Vien Joseph Marie The Elder Carmania Head Dress
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EDITORS COMMENTS
Bacha de Caramanie, Plate Seven from Caravanne du Sultan à la Mecque" is an exquisite etching on ivory laid paper created by the renowned French artist Joseph-Marie Vien the Elder in 1748. This artwork is a part of a larger series, "Caravanne du Sultan à la Mecque," which depicts various figures of the Muslim world on a pilgrimage to Mecca. In this particular print, we see a man dressed in the traditional attire of Carmania, a region now known as Iran. The man, identified as a Bacha or a eunuch, stands proudly with his legs apart, wearing a voluminous, flowing robe that reaches the ground. His head is adorned with an elaborate headdress, featuring a tall, conical turban and intricate gold decorations. The Bacha's face is expressionless, adding to the enigmatic allure of the artwork. The intricate details of the clothing, from the intricate patterns on the robe to the intricate gold embroidery on the headdress, are rendered with remarkable precision and artistry. The use of black and white in the etching adds to the timeless quality of the piece, transporting us back to the Baroque era and the rich cultural heritage of the Islamic world. The Bacha's pose, with his hands folded behind his back, exudes a sense of authority and rank, reflecting the importance of the role of eunuchs in the Muslim court. The artwork is a testament to Vien's mastery of the art of etching and his ability to capture the essence of a bygone era. This full-length portrait invites us to explore the diverse and intriguing world of Islamic art and fashion during the 18th century. It is a must-see for anyone interested in art, history, and the cultural traditions of the Islamic world.
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