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The Best of Friends Must Part (Punch, September 28, 1878), 1878. Creator: John Tenniel

The Best of Friends Must Part (Punch, September 28, 1878), 1878. Creator: John Tenniel


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The Best of Friends Must Part (Punch, September 28, 1878), 1878. Creator: John Tenniel

The Best of Friends Must Part (Punch, September 28, 1878), 1878

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Media ID 20378300

© Heritage Art/Heritage Images

Administrator Attache Blackwood Blackwood Frederick Temple Canada Colonial Administrator Diplomat Dufferin Dufferin And Ava Dufferin And Ava Marquis Of Dufferin Lord Earl Of Dufferin Feather Feathered Feathers Frederick Frederick Temple Frederick Temple Blackwood Governor Governor General Of Canada Handshake John Tenniel Leaving London Charivari Lord Lord Dufferin Marquis Of Dufferin And Ava Parting Punch Shaking Hands Sir John Tenniel Tenniel Allegorical Figure Head Dress Wood Engraving


FEATURES IN THESE COLLECTIONS

> Arts > Artists > H > Guy Head

> Arts > Artists > T > John Tenniel

> Arts > Artists > W > John White

> Arts > Artists > W > John Wood

> Arts > Literature > Magazines

> Europe > United Kingdom > England > London > Museums > British Museum

> Europe > United Kingdom > England > London > Sights > British Museum

> Europe > United Kingdom > Scotland > Strathclyde > Hamilton

> Historic > Colonial America illustrations > Colonial America

> North America > Canada > Hamilton


The Best of Friends Must Part

EDITORS COMMENTS
is a poignant print captured by John Tenniel in 1878. This historic image showcases the first Marquess of Dufferin and Ava, Frederick Temple Blackwood, bidding farewell to an American Indian companion. As Governor General of Canada at the time, Lord Dufferin's tenure was marked by his efforts to foster relationships with indigenous communities. In this snapshot frozen in time, we witness a moment filled with mixed emotions. The two figures stand side by side against a backdrop that symbolizes their shared experiences and the bond they have formed during their time together. Their expressions convey both sadness and gratitude as they prepare to part ways. Tenniel's masterful composition captures not only the personal connection between these individuals but also reflects broader themes of friendship, cultural exchange, and the complexities inherent in colonial history. Through his lens, he invites us to reflect on the significance of such encounters within a larger historical context. This remarkable piece serves as a visual testament to Lord Dufferin's commitment towards building bridges between different cultures during his governorship. It reminds us that even though friendships may be fleeting or circumstances may force separation upon us, the impact made through genuine connections can endure for generations to come.

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