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Bireli Lagrene, 2012. Artist: Alan John Ainsworth

Bireli Lagrene, 2012. Artist: Alan John Ainsworth


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Bireli Lagrene, 2012. Artist: Alan John Ainsworth

Bireli Lagrene, Gateshead International Jazz Festival, 2012

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Media ID 14829117

© Alan John Ainsworth

Ainsworth Alan John Alan John Ainsworth Brass Gateshead Gipsies Gipsy Guitar Guitar Player Guitarist Gypsies Gypsy Microphone Roma Romany Rroma Sage Gateshead Music Centre Saxaphone Player Saxophone Saxophone Player Saxophonist Selective Focus Tee Shirt Tyne And Wear 2010s Jazz Jazz Musician Playing An Instrument


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EDITORS COMMENTS
Bireli Lagrene, a renowned French jazz musician, captivates the audience with his mesmerizing performance at the Gateshead International Jazz Festival in 2012. This print by Alan John Ainsworth beautifully captures the essence of Lagrene's musical prowess. In this image, Lagrene is seen passionately strumming his guitar, while his fingers effortlessly dance across the strings. Dressed in casual attire, he exudes an air of cool confidence as he immerses himself in the music. The selective focus adds depth to the photograph, highlighting every intricate detail of his expression and technique. The night comes alive with soulful melodies as people from diverse backgrounds gather to witness this extraordinary artist's talent. Lagrene's music transcends boundaries - a harmonious blend of jazz, Roma influences, and contemporary sounds that resonate deeply within each listener. Set against the backdrop of Gateshead's architectural marvels and illuminated buildings, this image encapsulates both timelessness and modernity. As one person watches intently on stage under a single spotlight, Lagrene becomes a symbol of artistic excellence in our 21st-century world. Through Ainsworth's lens, we are transported into an enchanting realm where music knows no borders or limitations. This powerful portrait immortalizes Bireli Lagrene as not just a guitarist but also as an emblematic figure who continues to shape and redefine jazz for generations to come.

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