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Black Coffee, 1895. Creator: Aubrey Beardsley

Black Coffee, 1895. Creator: Aubrey Beardsley


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Black Coffee, 1895. Creator: Aubrey Beardsley

Black Coffee, 1895. A rare depiction of same-sex relationships; two women at a cafe table, one has her hand in the others lap. The hairstyle of the woman on the left resembles devils horns, hinting at the womens sinful behaviour. Illustration intended for " The Yellow Book", Vol. V, but withdrawn, along with other plates, when publisher John Lane dispensed with Beardleys services as art editor of the magazine in the wake of the Oscar Wilde scandal. From " The Best of Beardsley" edited by R. A. Walker, [The Bodley Head, London, 1948]

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Media ID 24364920

© Shirley Markham Collection/Heritage Images

Aubrey Beardsley Aubrey Vincent Beardsley Beardsley Aubrey Beardsley Aubrey Vincent Bodley Head Caf And Xe9 Cafe Coffee Coffee Cup Decadent Movement Drinking Vessel Hats Homosexual Homosexuality Horns Lesbian Lesbianism Lesbians Lover Lovers Menu Publishing Publishing House R A Walker Rainforth Armitage Walker Shirley Markham Walker Walker R A Walker Rainforth Armitage Graphic Design Queer


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> Animals > Mammals > Muridae > House Mouse

> Arts > Art Movements > Art Nouveau

> Arts > Artists > B > Aubrey Beardsley

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> Arts > Literature > Illustration

> Arts > Literature > Magazines

> Arts > Literature

> Arts > Photographers > John Gay

> Europe > United Kingdom > England > London > Towns > Shirley


Black Coffee, 1895

EDITORS COMMENTS
by Aubrey Beardsley is a captivating and controversial print that offers a rare glimpse into same-sex relationships during the late 19th century. The illustration depicts two women seated at a cafe table, with one woman's hand resting gently in the other's lap. This intimate gesture hints at their affectionate connection and challenges societal norms of the time. Notably, the woman on the left sports a hairstyle resembling devil's horns, symbolizing their perceived sinful behavior as they openly express their love for each other. Created for "The Yellow Book". Vol. V, this provocative artwork was ultimately withdrawn along with other plates when publisher John Lane terminated Beardsley's services as art editor following the scandal surrounding Oscar Wilde. Beardsley's graphic design skills shine through in this black and white piece, showcasing his mastery of intricate details and bold contrasts. The women are elegantly dressed in period clothing, adding to the overall aesthetic appeal of the composition. This print serves as both an artistic representation and social commentary on homosexuality within Victorian society. It challenges conventional notions of love and highlights themes of decadence and satire prevalent during that era. Preserved in "The Best of Beardsley" edited by R. A. Walker in 1948, "Black Coffee" remains an important artifact from Beardsley's body of work—a testament to his courage in exploring taboo subjects through art while leaving behind a powerful legacy for future generations to appreciate and reflect upon.

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