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Black Crook, Los Angeles, 1936. Creator: Unknown

Black Crook, Los Angeles, 1936. Creator: Unknown


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Black Crook, Los Angeles, 1936. Creator: Unknown

Black Crook, Los Angeles, 1936. Mayan Theatre...1936 Version - "Black Crook" - A Dramatic Musical Extravaganza...Cast of 100 - Concert Orchestra of 35...A Federal Stage Show - Div. of W.P.A.'. "The Black Crook", first produced in New York City with great success in 1866, is claimed by many to be the first popular piece that conforms to the modern notion of a musical. The Federal Theatre Project, created by the U.S. Works Progress Administration in 1935, was designed to conserve and develop the skills of theater workers, re-employ them on public relief, and to bring theater to thousands in the United States who had never before seen live theatrical performances

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Media ID 36276273

© Heritage Art/Heritage Images

Administration Works Progress Ballerina Ballet Dancer Barras Charles M Cultural Event Federal Theatre Project Musical New Deal Playbill Show Stage Show Works Progress Administration Graphic Design Playhouse Thomas Baker


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> Arts > Artists > B > Thomas Baker

> Arts > Artists > M > Mayan Mayan

> Arts > Contemporary art > Modern art > Pop art

> Arts > Dance

> Arts > Still life artwork > Pop art > Fine arts

> Arts > Still life artwork > Pop art > Modern art

> Arts > Modern art pieces > Pop art

> Arts > Modern art pieces

> Arts > Music > The Who

> Arts > Pop art


EDITORS COMMENTS
This photograph print transports us back to 1936, showcasing the Mayan Theatre in Los Angeles during a production of "The Black Crook." The image, a relic of the Federal Theatre Project, is adorned with an intricately designed playbill that announces the "Dramatic Musical Extravaganza" with a cast of 100 and a concert orchestra of 35. Originally produced in New York City in 1866, "The Black Crook" is hailed as the first popular piece to embody the modern concept of a musical. During the 1930s, the Federal Theatre Project, a division of the Works Progress Administration (WPA), aimed to conserve and develop theater skills, re-employ theater workers, and bring live performances to communities across the United States. Charles M. Barras, the designer of this playbill, masterfully combined color and lettering to create a visually stunning and informative piece. The image of a ballerina in mid-dance, surrounded by a sea of dancers, adds to the allure of the production. The playbill also includes a nod to the political climate of the time, identifying the show as a "Federal Stage Show." This photograph print offers a glimpse into the rich cultural heritage of the 1930s, showcasing the power of the arts to bring people together and provide entertainment during a time of economic hardship. The Mayan Theatre's production of "The Black Crook" stands as a testament to the enduring appeal of live theater and the importance of preserving our artistic history.

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