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Blumauer's Aeneide, 1789. Creator: Daniel Nikolaus Chodowiecki
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Blumauer's Aeneide, 1789. Creator: Daniel Nikolaus Chodowiecki
Blumauer's Aeneide, 1789. From almanac: Konigl. Grosbritannischer Historischer Genealogischer Calender, 1790.
Aloys Blumauer's Vergils Aeneis travestirt (1783) is a travesty of the Aeneid for anticlerical purposes. Besides exploring its satirical techniques, the chapter places it in the context of the Austrian Enlightenment under Joseph II and the obsessive campaign by the enlightened against many Catholic practices
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Aeneid Aeneide Almanac Alois Blumauer Aloys Blumauer Blumauer Aloys Chariot Charioteer Chodowiecke Daniel Nikolaus Chodowiecki Daniel Chodowiecki Daniel Nikolaus Comedy Daniel Chodowiecki Daniel Nikolaus Chodowiecke Daniel Nikolaus Chodowiecki Emperor Joseph Ii Enlightenment Farce Habsburg Lorraine Johannes Aloysius Blumauer Josef Benedikt Anton Michel Adam Josef Ii Joseph Benedict Anthony Michael Adam Joseph Benedikt Anton Michael Adam Joseph Ii Joseph Ii Holy Roman Emperor Maro Publius Vergelius Publius Vergilius Maro Travesty Trident Vergil Vergilio Vergilius Maro Publius Vergils Aeneis Travestirt Virgil Charioteers Parody Satirical
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EDITORS COMMENTS
This print, titled "Blumauer's Aeneid" by Daniel Nikolaus Chodowiecki, dates back to 1789 and was originally published in the "Königl. Grosbritannischer Historischer Genealogischer Calender" (Royal British Historical Genealogical Calendar) of the following year. The image depicts a scene from Aloys Blumauer's satirical work "Aeneis travestirt" (Travesty of the Aeneid), published in 1783. Blumauer's work was a travesty for anticlerical purposes, poking fun at the Catholic Church during the Austrian Enlightenment under Emperor Joseph II. The print shows a charioteer, likely representing Aeneas, holding the reins of a chariot adorned with figures representing various continents and geographical features. The chariot is labeled "America," highlighting the influence of the New World on European culture. The charioteer's attire and the overall composition are reminiscent of the Aeneid, but the satirical intent is clear. Daniel Nikolaus Chodowiecki, the artist, masterfully etched this image in black and white, adding to its timeless and humorous appeal. The print is an intriguing example of the European artistic scene during the 18th century, showcasing elements of comedy, concept, and geography. The satirical nature of Blumauer's work and its context within the Austrian Enlightenment add depth and intrigue to this image.
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