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Bonaparte Before the Sphinx, 1886, (1896). Artist: Henry Wolf
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Bonaparte Before the Sphinx, 1886, (1896). Artist: Henry Wolf
Bonaparte Before the Sphinx, 1886, (1896). Napoleon Bonaparte (1769-1821) in Egypt c1798-1801. Engraving after the painting made in 1886, entitled L Oedipe, by JL Gerome. From Life of Napoleon Bonaparte, Volume II, by William Milligan Sloane. [The Century Co. Macmillan & Co. Limited, New York & London, 1896]
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Media ID 15213932
© The Print Collector / Heritage-Images
1st Consul Bonaparte Archaeological Bonaparte Bonaparte General Bonaparte The Corsican Boney Emperor Napoleon Emperor Of France First Consul Bonaparte General Bonaparte Gerome Giza Gizeh Henry Henry Wolf Jean Gerome Jean Leon Jean Leon Gerome Napo Napoleon Napoleon 1 Napoleon 1st Napoleon Bonaparte Napoleon Bonaparte I Napoleon I Napoleon L Napoleone Di Buonaparte Napoleonic Napoleonic Wars Sepia Sloane Sphinx William Milligan William Milligan Sloane Wolf
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EDITORS COMMENTS
This photo print, titled "Bonaparte Before the Sphinx" takes us back to a significant moment in history. The image captures Napoleon Bonaparte standing before the majestic Sphinx in Egypt during his expedition from 1798 to 1801. This engraving is based on the painting "L Oedipe" by JL Gerome, created in 1886. Napoleon's presence against the backdrop of this archaeological site evokes a sense of awe and wonder. As one of history's most influential figures, he stands tall with an air of confidence and determination. The monochrome palette adds depth and intensity to the scene, emphasizing both the grandeur of the Sphinx and Napoleon's commanding presence. The artist, Henry Wolf, skillfully translates Gerome's original painting into an exquisite engraving that captures every intricate detail. From Napoleon's iconic hat to the enigmatic expression on his face, every element contributes to a powerful visual narrative. This print serves as a reminder not only of Napoleon's military prowess but also his fascination with ancient civilizations. It symbolizes his ambition for conquest while showcasing his appreciation for art and culture. As we gaze upon this remarkable piece, we are transported back in time - witnessing a meeting between two great forces: one immortalized through stone and mythology; the other destined for immortality through historical legacy.
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