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A Bound Elephant being led from the Last Section of the trap, the Prison Corral, 1785. Creator: Jan Brandes

A Bound Elephant being led from the Last Section of the trap, the Prison Corral, 1785. Creator: Jan Brandes


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A Bound Elephant being led from the Last Section of the trap, the Prison Corral, 1785. Creator: Jan Brandes

A Bound Elephant being led from the Last Section of the trap, the Prison Corral, 1785

Heritage Images features heritage image collections

Media ID 36338797

© Heritage Art/Heritage Images

Asian Elephant Brandes Jan Brandes Johan Cage Captive Captivity Cautious Elephant Jan Brandes Johan Brandes Restricted Restriction Tame Taming Tied Up Trap Wildlife Working Animal Watercolour Paint Young Man


FEATURES IN THESE COLLECTIONS

> Animals > Fishes > G > Grouper

> Animals > Mammals > Asian Elephant

> Animals > Mammals > Elephantidae > Asian Elephant

> Arts > Artists > Y > Art Young

> Arts > Realistic drawings > Pencil drawings > Animal drawings

> Arts > Realistic drawings > Pencil drawings > Fine art

> Arts > Realistic drawings > Wildlife drawings > Pencil artwork

> Arts > Watercolor paintings > Animal watercolors > Wildlife art

> Arts > Watercolor paintings > Wildlife watercolor paintings > Wildlife art exhibition

> Arts > Watercolor paintings


EDITORS COMMENTS
This evocative pencil drawing by Jan Brandes, titled 'A Bound Elephant being led from the Last Section of the Trap, the Prison Corral, 1785,' offers a glimpse into the past of Asian elephant captivity during the 18th century. The image captures a moment of transition, as the elephant, with its massive form and expressive eyes, is led out of its confining trap by a cautious group of men. The elephant's powerful yet subdued demeanor contrasts with the tense, focused expressions of the young men, who carefully secure ropes around its ankles. The drawing, executed in watercolor and pencil on paper, is a testament to the artist's skillful use of color and shading to convey texture and depth. The muted tones of the men's clothing and the earthy browns of the elephant's hide create a sense of harmony between the human handlers and their captive charge. The scene unfolds in an open, sunlit area, with the suggestion of a dense jungle or forest beyond the corral, hinting at the wild, untamed continent from which the elephant was taken. The drawing is an important historical artifact, providing insight into the methods used to capture and tame elephants during this period. It also speaks to the complex relationship between humans and wildlife, as well as the cultural heritage of the Low Countries and Europe during the 18th century. The Rijksmuseum in the Netherlands is home to this precious work by Jan Brandes, a testament to the enduring power of art to transport us to another time and place.

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