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Bretonne au bouquet (Huelgoat), between 1892 and 1893. Creator: Paul Serusier
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Bretonne au bouquet (Huelgoat), between 1892 and 1893. Creator: Paul Serusier
Bretonne au bouquet (Huelgoat), between 1892 and 1893. Bretonne woman with bouquet (Huelgoat). (Huelgoat is a commune in the Finistere department of Brittany in northwestern France)
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Media ID 36260553
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Bretonne Brittany Canvas Material Flower Arrangement Flower Arranging Hands Hobby Louis Paul Henri Serusier Paul Serusier Vase Vase Of Flowers Head Dress Paris Museums Pastime Petit Palais
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EDITORS COMMENTS
Bretonne au bouquet (Huelgoat)," an exquisite oil painting created between 1892 and 1893 by Paul Serusier, captures the essence of a Breton woman from the commune of Huelgoat in Brittany, France. The woman is depicted in profile, her head adorned with a colorful headdress, her hands cradling a bouquet of vibrant flowers. The painting is a testament to the rich cultural heritage of Brittany and the simple pleasures of rural life. Serusier, a prominent figure in the Paris art scene, was known for his connection to the Symbolist movement and his exploration of the use of color in painting. In this work, he masterfully employs a rich and varied color palette, from the deep greens of the landscape to the brilliant hues of the flowers. The woman's profile is framed by the natural beauty of her surroundings, with the rolling hills and lush vegetation of Brittany providing a picturesque backdrop. The vase of flowers in her hands adds to the overall sense of harmony and connection to nature. This painting is a prime example of the influence of the natural world on the art of the late 19th century. It is a reminder of the importance of the pastime of flower arranging as a way to connect with nature and express creativity, and it continues to be a source of inspiration for artists and art lovers alike. Bretonne au bouquet (Huelgoat) is now a cherished part of the collection of the Petit Palais in Paris, one of the city's most esteemed museums, and a testament to the enduring legacy of Paul Serusier and the art of the late 19th century.
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