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British Institution Exhibition - "The Covenant of Judas" - painted by J. Franklin, 1850. Creator: George Pike Nicholls. British Institution Exhibition - "The Covenant of Judas" - painted by J. Franklin, 1850. Creator: George Pike Nicholls
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British Institution Exhibition - "The Covenant of Judas" - painted by J. Franklin, 1850. Creator: George Pike Nicholls. British Institution Exhibition - "The Covenant of Judas" - painted by J. Franklin, 1850. Creator: George Pike Nicholls
British Institution Exhibition - "The Covenant of Judas" - painted by J. Franklin, 1850. Engraving of a painting in a London exhibition: The event is told in these words: 14. Then one of the twelve, called Judas Iscariot, went unto the chief priests. 15. And said unto them, What will ye give me, and I will deliver him imto you? And they covenanted with him for thirty pieces of silver. 16. And from that time he sought opportunity to betray him. St. Matthew, chap. xxvi. The subject, we need scarcely observe, is of the highest class that has ever exercised the art of painting, in which the old masters maintain unapproachable excellence. Mr. Franklin's picture does not lack vigorous composition; His figures remind one of those in Haydon's large performances. "The Covenant of Judas" hangs in the North Room of the Institution: its dimensions are 5 feet 2 inches in height, and 6 feet 0 inches in width'. From "Illustrated London News", 1850
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EDITORS COMMENTS
The Covenant of Judas," painted by John Franklin in 1850, is a captivating masterpiece showcased at the British Institution Exhibition. Created by the skilled hand of George Pike Nicholls, this engraving offers a glimpse into the intrigue and betrayal of one of the most significant stories in Christian history. The biblical narrative unfolds in St. Matthew's gospel, where Judas Iscariot, one of the twelve apostles, makes a fateful deal with the chief priests. In exchange for thirty pieces of silver, Judas agrees to betray Jesus. This pivotal moment in the lead-up to the crucifixion is brought to life in Franklin's painting. The event's solemnity is emphasized by the somber tones and dramatic composition. The figures, reminiscent of those in Haydon's grand performances, exude a sense of foreboding and treachery. The painting, measuring 5 feet 2 inches in height and 6 feet 0 inches in width, is a testament to Franklin's artistic ability and mastery of the medium. The Covenant of Judas holds a place of prominence in the North Room of the Institution, a space dedicated to showcasing the finest works of art. This engraving offers a glimpse into the rich artistic heritage of the British Institution Exhibition and the enduring power of biblical narratives to inspire and captivate. The painting's historical significance and visual allure make it a must-see for art enthusiasts and those with an interest in religious art. Its intricate details and powerful storytelling continue to resonate with viewers, making it a timeless piece that transcends generations and continues to captivate the imagination.
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