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Buddhist Votive Tablet with Vighnantaka, 11th century. Creator: Unknown

Buddhist Votive Tablet with Vighnantaka, 11th century. Creator: Unknown


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Buddhist Votive Tablet with Vighnantaka, 11th century. Creator: Unknown

Buddhist Votive Tablet with Vighnantaka, 11th century

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Media ID 36357165

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11th Century Buddhist Buddhists Eleventh Century Plaque South Asian South East Asia Southeast Asia Southeast Asian Tablet Terra Cotta Terracotta Votive Wrath Wrathful Hindoostan


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> Arts > Contemporary art > Sculpture > Ceramic sculptures

> Arts > Sculpture

> Asia > India > Related Images

> Historic > Ancient artifacts and relics > Ancient pottery

> Historic > Ancient artifacts and relics


EDITORS COMMENTS
11th Century Buddhist Votive Tablet with Vighnantaka: A Testament to Ancient South Asian Religious Art This exquisite 11th century Buddhist votive tablet, known as Vighnantaka, is an enchanting artifact hailing from the rich cultural heritage of South Asia. The tablet, currently housed at the Los Angeles County Museum of Art (LACMA), is a stunning example of the intricate and vibrant artistic traditions of the region. Measuring approximately 10.2 x 12.7 inches, this ochre terracotta tablet is adorned with intricate designs in black, red, and white paint. The central figure depicted on the tablet is Vighnantaka, a wrathful deity in Buddhism, also known as Krodha Vighnantaka or the Angry Vighnantaka. This deity is believed to protect Buddhists from harm and bring them peace and prosperity. Vighnantaka is shown in a dynamic pose, with multiple arms holding various symbols of power and protection. He is surrounded by various other deities and symbols, including a lion, elephant, and a figure holding a bowl. The intricate details of the figures and the vibrant colors used in the painting are a testament to the skill and artistry of the unknown artist who created this masterpiece over a thousand years ago. The tablet's origins are uncertain, but it is believed to have been produced in Hindustan, which encompasses present-day India and Pakistan. The use of terracotta and the vibrant colors are characteristic of the art of South Asia during this period. The tablet's discovery and preservation are a reminder of the rich cultural heritage of the region and the importance of preserving and celebrating the artistic and religious traditions of the past. This Buddhist votive tablet with Vighnantaka is a must-see for anyone interested in the art and history of South Asia, and a reminder of the enduring power of art to connect us to the past and to inspire us in the present.

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