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Cartoon about rent increases brought in by the Commune of Paris, 1871, (c.1871). Creator: Leo Scherer
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Cartoon about rent increases brought in by the Commune of Paris, 1871, (c.1871). Creator: Leo Scherer
Cartoon about rent increases brought in by the Commune of Paris, 1871, (c.1871). A bewildered and furious tenant is presented with news of rent increases: Decret de la Commune / Plus de Loyers a Payer'.
Eh bien monsieur Vautour on s'la demenage. (So Mr Vautour you'll be moving).
Et mes trois termes? (And my three terms?).
Et bien la commune....ca compte donc pour des prunes'. (Well, the commune...that counts for nothing).
From the Souvenir de la Commune series
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Media ID 36339412
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Accommodation Anger Angry Decree Funny Fury Housing Jump Jumping Laughing Laughter Legislation Notice Paris Commune Rage Regulations Rent Rented Accommodation Renting Surprise Surprised Tenant Watercolour Paint
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EDITORS COMMENTS
This cartoon by Leo Scherer, titled 'Cartoon about rent increases brought in by the Commune of Paris, 1871,' depicts a bewildered and enraged tenant receiving news of rent hikes under the new decree of the Paris Commune. The tenant, dressed in a simple smock, is shown with a shocked expression as he reads the decree, 'Decret de la Commune / Plus de Loyers a Payer' (Decree of the Commune / No More Rent to Pay). With a frustrated exclamation, 'Eh bien monsieur Vautour on s'la demenage. (So Mr Vautour you'll be moving),' the tenant throws up his arms in despair, suggesting his intention to leave rather than pay the increased rent. The cartoon is part of the 'Souvenir de la Commune' series and was created in the late 19th century. The image is filled with satirical humor, as the tenant's dog, also surprised by the news, jumps and barks in the background. The use of watercolor paint adds to the whimsical and lighthearted tone, despite the serious subject matter. The cartoon reflects the political climate of the time, as the Paris Commune, a revolutionary government, enacted new rent regulations in an attempt to address the housing crisis and improve living conditions for the working class. However, the tenant's response illustrates the frustration and anger felt by many Parisians towards the new legislation, which they perceived as yet another burden on an already struggling population. This work of art, with its intricate details and rich historical context, is a testament to the power of satire as a means of expressing political dissent and engaging with social issues. The cartoon is a valuable addition to any collection of 19th-century art, particularly those focused on the history of France, housing, and political satire.
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