Carved enclosed mahogany bookcase, style of Chippendale, French influence, 1911-1912. Artist: Edwin Foley

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Carved enclosed mahogany bookcase, style of Chippendale, French influence, 1911-1912. Artist: Edwin Foley

Carved enclosed mahogany bookcase, style of Chippendale, French influence, 1911-1912. A print from The Book of Decorative Furniture its Form, Colour and History, Volume II by Edwin Foley, TC and EC Jack Ltd, London, 1911-1912

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Media ID 14949231

© The Print Collector / Heritage-Images

Bookcase Chippendale Edwin Edwin Foley Enclosed Foley Georgian Mahogany Print Collector10 Thomas Chippendale Thomas Chippendale The Elder

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EDITORS COMMENTS
This print showcases a beautifully carved enclosed mahogany bookcase, crafted in the style of Chippendale with a touch of French influence. Created by artist Edwin Foley, this exquisite piece of furniture dates back to 1911-1912 and is featured in The Book of Decorative Furniture its Form, Colour and History, Volume II. The intricate carvings on the rich mahogany wood reflect the elegance and sophistication synonymous with Chippendale designs. With its refined craftsmanship and attention to detail, this bookcase represents the epitome of British Georgian furniture. The fusion of English and French influences adds an intriguing dimension to this timeless creation. It serves as a testament to the cross-cultural exchange that occurred during that era. As we gaze upon this print from The Print Collector collection, we are transported back to 18th-century England. We can imagine how it would have graced grand country estates or elegant townhouses during that period. Thomas Chippendale, one of Britain's most renowned cabinetmakers, played a significant role in shaping the design aesthetic of his time. This particular piece pays homage to his legacy while also incorporating elements inspired by French artistry. Edwin Foley has masterfully captured both the form and color of this remarkable bookcase through his artistic lens. His skillful portrayal allows us to appreciate not only its physical beauty but also its historical significance within British decorative arts. This print is truly a treasure for any lover of fine furniture or those fascinated by 18th-century design

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