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Celestial Venus (recto); Main Hall, Baths of Diocletian (verso), c.1535. Creator: Unknown
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Celestial Venus (recto); Main Hall, Baths of Diocletian (verso), c.1535. Creator: Unknown
Celestial Venus (recto); Main Hall, Baths of Diocletian (verso), c.1535
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Media ID 36206148
© Heritage Art/Heritage Images
Armless Brown Ink Celestial Heemskerck Maarten Van Heemskerck Maerten Van Heemskerck Martin Van Heemskirck Maerten Hemskirk Maerten Van Maarten Jacobsz Van Heemskerck Maarten Van Heemskerck Maerten Heemskirck Maerten Van Heemskerck Maerten Van Hemskirk Mannerism Mannerist Marten Van Heemskerck Martin Van Heemskerck Sepia Torso Van Heemskerck Maerten Van Heemskerck Martin Van Hemskirk Maerten Venus Netherlandish Pen And Ink Drawing Roman Mythology
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EDITORS COMMENTS
This image, dating back to the 16th century, showcases two distinct yet interconnected works of art. On the recto, or front side, is the celestial representation of Venus, the Roman goddess of love and beauty. The goddess is depicted in her divine form, nude and radiant, with the sun and stars surrounding her. The celestial backdrop emphasizes her divine status and allure. On the verso, or reverse side, lies the Main Hall of the Baths of Diocletian. This intricate drawing captures the grandeur and architectural sophistication of the Roman bath complex. The use of pen and brown ink with brush and brown wash and black chalk brings out the intricate details of the columns, arches, and decorative elements. Both sides of this exquisite drawing are the work of an unknown artist, believed to be Maarten Jacobsz van Heemskerck or Marten van Heemskerck. The drawing is executed in pen and brown ink recto and pen and brown ink with brush and brown wash and black chalk verso on ivory laid paper. The combination of celestial and architectural themes is a common motif in the art of the Northern Renaissance, reflecting the interest in mythology, religion, and the classical world. The use of sepia tones adds to the antiquated and heritage feel of the artwork. This rare and intriguing piece is a testament to the artistic talent and creativity of the 16th century, and a reminder of the enduring allure of the celestial and the classical.
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