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Chancel and East Window of St. Margarets, Westminster, c1935. Creator: Taylor
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Chancel and East Window of St. Margarets, Westminster, c1935. Creator: Taylor
Chancel and East Window of St. Margaret s, Westminster, c1935. St Margarets Church, which stands in the grounds of Westminster Abbey in central London, is dedicated to Margaret of Antioch. It was founded in the twelfth century, and the current building was consecrated in 1523. The east window above the altar, seen here, contains the oldest stained glass in the church and depicts the Crucifixion. Made probably between 1515 and 1526, it commemorates the marriage of King Henry VIII and Catherine of Aragon. From " Wonderful London, Volume 3", edited by Arthur St John Adcock. [The Fleetway House, London, c1935]
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Media ID 18324551
© The Print Collector/Heritage Images
Abbey Adcock Altar Arthur St John Arthur St John Adcock Banners Chancel John Adcock Stained Glass Window Taylor Westminster Abbey Wonderful London
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EDITORS COMMENTS
This print captures the exquisite beauty of the Chancel and East Window of St. Margaret's Church in Westminster, London, circa 1935. Standing proudly within the grounds of Westminster Abbey, this historic church is dedicated to Saint Margaret of Antioch and has a rich history dating back to the twelfth century. The focal point of this image is the magnificent east window above the altar, which showcases the oldest stained glass in the entire church. This stunning piece of art depicts the Crucifixion and was created between 1515 and 1526 as a commemoration of King Henry VIII's marriage to Catherine of Aragon. The architectural details inside St. Margaret's Church are truly remarkable, with banners adorning its walls and an atmosphere that exudes tranquility and spirituality. The monochrome aesthetic adds a timeless quality to this photograph, allowing viewers to appreciate both its historical significance and artistic composition. This particular print is sourced from "Wonderful London, Volume 3" edited by Arthur St John Adcock, providing us with a glimpse into London's past during the early twentieth century. It serves as a testament to Britain's rich religious heritage while also showcasing Taylor's talent for capturing architectural splendor through his lens.
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