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Chinese painting, (1898). Creator: Unknown
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Chinese painting, (1898). Creator: Unknown
Chinese painting, (1898). Figs 1-5 and 9-13: borders; Figs 6-8: continuous patterns of painted China vases, the greater part of which are to be found in South Kensington Museum [Victoria & Albert Museum, London]. In Fig 1 an inclination towards Persian manner is to be observed in composition and character. The yellow colour, used in Figs 4, 6 and 10, is gold on the original objects...The principal native plants used for decorative patterns are the leaves and flowers of the tea-shrub, roses, camellias, melons etc. Plate 11 from " The Historic Styles of Ornament" translated from the German of H. Dolmetsch. [B.T. Batford, London, 1898]
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Media ID 19777940
© The Print Collector/Heritage Images
B T Batsford Batsford Bt Batsford Chromolithograph Dolmetsch E Hochdanz H Dolmetsch Heinrich Heinrich Dolmetsch Historic Styles Of Ornament Hochd Hochdanz Stylised Vase Vases
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EDITORS COMMENTS
This Chinese painting, created in 1898 by an unknown artist, showcases the exquisite beauty of traditional Chinese art. The print features a series of intricate borders and continuous patterns of painted China vases, most of which are housed in the renowned Victoria & Albert Museum in London. In Figure 1, one can observe a distinct inclination towards Persian style both in composition and character. The use of yellow color on Figures 4,6, and 10 is reminiscent of gold on the original objects. The decorative patterns primarily draw inspiration from native plants such as tea shrubs, roses, camellias, melons, among others. Plate 11 from "The Historic Styles of Ornament" translated from German by H. Dolmetsch and published by B. T. Batford in London in 1898 beautifully captures this piece's essence. Its lithograph technique brings out the vibrant colors and intricate details that make this artwork truly remarkable. As we delve into its imagery filled with stylized flowers and patterned ceramics against a backdrop that reflects interior decoration trends during the late nineteenth century; we are transported to a world where artistry meets functionality seamlessly. This print serves as a testament to the rich cultural heritage encapsulated within Chinese paintings while also showcasing their influence on global design aesthetics throughout history.
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