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Chinese Taoist religious leaders: The Divinity Kuan-ti, c1820-30. Creator: Italian School

Chinese Taoist religious leaders: The Divinity Kuan-ti, c1820-30. Creator: Italian School


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Chinese Taoist religious leaders: The Divinity Kuan-ti, c1820-30. Creator: Italian School

Chinese Taoist religious leaders: The Divinity Kuan-ti, engraved by Fumagalli and Bramatti, c.1820-30 (colour engraving). Kuan-ti, or Emperor Kuan, governor and protector of the people, a late deity of Taoism, is always shown dressed as an emperor

Heritage Images features heritage image collections

Media ID 18269348

© Historica Graphica Collection / Heritage-Images

Colour Engraving Portcullis Stirling Historica Graphica Collection Renaissance Architecture


FEATURES IN THESE COLLECTIONS

> Architecture > Castles

> Architecture > Chinese

> Architecture > Country > Italy > Related Images

> Architecture > Country > Scotland

> Architecture > Religious

> Arts > Art Movements > Renaissance Art

> Arts > Artists > H > Thomas Hearne

> Arts > Artists > I > Italian School Italian School

> Arts > Artists > W > George White

> Europe > Italy > Castles


EDITORS COMMENTS
This print showcases the esteemed Chinese Taoist religious leaders, specifically focusing on the Divinity Kuan-ti. Created by the Italian School in the early 19th century, this colour engraving beautifully captures the essence of this late deity of Taoism. Kuan-ti, also known as Emperor Kuan, is depicted in regal attire befitting his role as governor and protector of the people. The intricate details and vibrant colors bring to life this revered figure from ancient Chinese culture. The engraving was skillfully executed by Fumagalli and Bramatti, showcasing their mastery in capturing every nuance of expression and costume. While seemingly unrelated at first glance, it's worth noting that this particular print is part of a larger collection featuring various historical elements such as fortifications, castles, and Renaissance architecture. This diverse compilation reflects both Scottish heritage and influences from Sir George Beaumont Bart. Whether displayed for its artistic value or appreciated for its cultural significance within Taoism, this print serves as a visual gateway into an ancient world where spirituality intertwines with history. It invites viewers to delve deeper into understanding Chinese religious practices while appreciating the craftsmanship behind creating such a remarkable piece of art.

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