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Christ Appearing to Mary Magdalene (Noli Me Tangere), Flanders, 1540/45. Creator: Willem de Pannemaker

Christ Appearing to Mary Magdalene (Noli Me Tangere), Flanders, 1540 / 45. Creator: Willem de Pannemaker


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Christ Appearing to Mary Magdalene (Noli Me Tangere), Flanders, 1540/45. Creator: Willem de Pannemaker

Christ Appearing to Mary Magdalene (Noli Me Tangere), Flanders, 1540/45. Woven in the workshop of Willem de Pannemaker, from a design attributed to Michiel Coxcie or Giovanni Battista Lodi da Cremona. Detail from a larger artwork

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Media ID 36208185

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Apparition Appearance Appearing Aubusson Tapestry Book Of John Bowler Hat Coxcie Michiel Coxie Michiel Emergence Emerging Funny Garland Garlands Jerusalem Mary Magdalen Mary Magdalene Michiel Coxcie Michiel Coxie Michiel Coxie I Miracle Miraculous Noli Me Tangere Ointment Jar Resurrection Spade Stigmata Surprise Surprised Tapestries Tapestry Tools Vision Wall Hanging Wool Mausoleum Posture Santo


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This captivating 16th century print, titled

EDITORS COMMENTS
Christ Appearing to Mary Magdalene (Noli Me Tangere)," is a masterpiece from the Flanders region of Europe, created around 1540/45. The artwork was woven in the workshop of Willem de Pannemaker, with a design attributed to Michiel Coxcie or Giovanni Battista Lodi da Cremona. The scene depicts the biblical moment when Jesus appears to Mary Magdalene after his resurrection, as recorded in the Book of John (20:11-18). Mary, dressed in a rich, flowing garment, is kneeling before an empty tomb in a garden, her face filled with sorrow and disbelief. Jesus, clad in a simple white robe and wearing a bowler hat, emerges from the mausoleum, gesturing for Mary not to touch him (Noli Me Tangere). The intricate detail of the artwork is evident in the depiction of the garden, with its vibrant flowers, fruit, and garlands. The use of color adds to the overall impact, with the rich hues of Mary's dress and the earthy tones of the garden contrasting beautifully with the muted colors of Jesus' robe. The artwork is a testament to the artistic heritage of Flanders during the 16th century, showcasing the skill and creativity of its artists. It is a reminder of the enduring power of the biblical story of the resurrection and the significance of the appearance of Christ to Mary Magdalene. The print is a treasure of art history, a beautiful and moving work that continues to captivate and inspire viewers today." This artwork is part of the collection of the Art Institute of Chicago and can be found in their art centre or gallery. It is an excellent example of the Flemish art of the 16th century and a must-see for anyone interested in art, Christianity, or biblical stories.

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