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A companion to the Q-ns ass... 1821
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A companion to the Q-ns ass... 1821
A Companion to the Q(uee)-ns Ass in a Band Box, 1821. Lord Francis Conyngham sits on a zebra with a human face (Alderman Wood). He wears a box inscribed Lady Eliza[beth s] Muff Box, and holds a rolled document in his right hand
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Media ID 15178390
© London Metropolitan Archives (City of London) / Heritage-Images
C Williams Caroline Caroline Amelia Elizabeth Of Brunswick Caroline Of Brunswick Caroline Of Brunswick Wolfenbuttel Conyngham Document Georgian Lord Chamberlain Marquis Matthew Matthew Wood Princess Of Wales Queen Caroline Queen Consort Of George Iv Roll Scroll Sir Matthew Sir Matthew Wood Williams Zebra Lord Conyngham
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A Companion to the Q-ns Ass. . . 1821
EDITORS COMMENTS
is a fascinating and satirical print from the 19th century that offers a humorous commentary on British politics and society. The image depicts Lord Francis Conyngham, Marquis of Conyngham, riding a zebra with an unusual twist - it has the face of Alderman Wood, known as Sir Matthew Wood. This comical portrayal symbolizes their close relationship and political alliance. Lord Conyngham is depicted wearing a box labeled "Lady Eliza[beth s] Muff Box" suggesting his association with scandalous affairs or perhaps hinting at his involvement in gossip and intrigue within high society. In his right hand, he holds a rolled document, possibly representing some political maneuvering or secret dealings. The print captures the spirit of caricature art prevalent during this era. With vibrant colors and clever symbolism, it pokes fun at prominent figures like Queen Caroline Amelia Elizabeth of Brunswick (Princess of Wales) while also shedding light on the power dynamics between politicians and royalty. This intriguing artwork can be found in Guildhall Library and Art Gallery in England. Its anonymous creator skillfully combines elements such as animals, satire, scrolls, boxes, documents, and people to create an engaging visual narrative that invites viewers to reflect upon the complexities of Georgian Britain's political landscape.
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