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Of what do you have to complain?, 1836. Creator: Auguste Raffet
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Of what do you have to complain?, 1836. Creator: Auguste Raffet
Of what do you have to complain?, 1836
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Media ID 36205010
© Heritage Art/Heritage Images
Auguste Raffet Bandit Criminal Denis Auguste Marie Raffet Face To Face Leadership Lithograph In Black On Ivory Wove Paper Morale Position Raffet Auguste Raffet Denis Auguste Marie Speaking Talking Troops Complaint Lithotint
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Of what do you have to complain?, 1836
EDITORS COMMENTS
is a captivating lithograph in black on ivory wove paper created by the renowned French artist, Denis Auguste Marie Raffet. This masterpiece, a testament to the artistic prowess of the 19th century, portrays a thought-provoking scene of military camaraderie and morale. The image features a group of armed men, likely soldiers, standing face to face in a rural setting. Their expressions range from introspective to animated, as if engaged in a deep conversation. One man, the focal point of the composition, turns to address his companion, his gaze steady and determined. The other soldiers in the background listen attentively, their body language conveying a sense of unity and solidarity. The title of the work, "Of what do you have to complain?", poses a question that resonates with the human condition, particularly in the context of the military. The soldiers, despite the challenges of warfare and the hardships of military life, seem content and at ease with one another. Their shared experiences have forged a bond that transcends the trials they face. Raffet's masterful use of lithotint, a technique that involves creating shades of color by varying the thickness of the ink on the stone, adds depth and texture to the image. The black and white palette further emphasizes the stark contrast between the soldiers and their surroundings, drawing the viewer's attention to the human element of the scene. This powerful and evocative work is a reminder of the importance of leadership, unity, and morale in times of adversity. It is a valuable addition to any art collection, particularly those focused on heritage art, military history, or the human condition. The Art Institute of Chicago is fortunate to have this rare and significant work in its permanent collection, where it continues to inspire and captivate audiences.
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