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Cornelis Calkoen on his Way to his Audience with Sultan Ahmed III, c.1727-c.1730. Creator: Jean Baptiste Vanmour

Cornelis Calkoen on his Way to his Audience with Sultan Ahmed III, c.1727-c.1730. Creator: Jean Baptiste Vanmour


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Cornelis Calkoen on his Way to his Audience with Sultan Ahmed III, c.1727-c.1730. Creator: Jean Baptiste Vanmour

Cornelis Calkoen on his Way to his Audience with Sultan Ahmed III, c.1727-c.1730

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Media ID 36333631

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1720s 1730s Ambassador Commissary Courtier Diplomacy Diplomat Diplomatic District Entourage Fine Art Infantry Janissaries Janissary Janizaries Jean Baptiste Van Mour Jean Baptiste Vanmour Levant Levantine Orientalism Orientalist Ottoman Empire Regiment Retinue Sultan Ahmed Iii Topkapi Palace Tulip Era Van Mour Jean Baptiste Vanmour Jean Baptiste Ambassador Cornelis Calkoen Cornelis Calkoen


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EDITORS COMMENTS
Cornelis Calkoen on his Way to his Audience with Sultan Ahmed III, c.1727-c.1730" is a captivating oil painting by the renowned French artist Jean Baptiste Vanmour, showcasing the Dutch diplomat Cornelis Calkoen making his way to an audience with Sultan Ahmed III of the Ottoman Empire. The painting, created during the 18th century, captures the grandeur and intrigue of diplomatic encounters between Europe and the Middle East during the Tulip Era. Cornelis Calkoen, a commissary and later ambassador from the Dutch Republic, is depicted in the painting dressed in formal attire, accompanied by an infantry regiment and an entourage of courtiers. The artist masterfully captures the anticipation and tension of the moment, as Calkoen and his retinue make their way through the bustling streets of Istanbul towards Topkapi Palace, the residence of the Sultan. The painting offers a vivid glimpse into the Ottoman Empire during the 18th century, with the exterior of the palace and its lush gardens visible in the background. The Janissaries, the elite infantry corps of the Ottoman military, can be seen lining the streets, their distinctive red fez hats and uniforms adding to the vibrant color palette of the painting. The concept of Orientalism is evident in the painting, reflecting the European fascination with the exotic and mysterious Middle East. Vanmour's use of oil on canvas and his meticulous attention to detail bring the scene to life, transporting the viewer to a time and place far removed from their own. The painting is now part of the collection of the Rijksmuseum in Amsterdam, a testament to its historical and artistic significance. It offers a unique insight into the diplomatic relations between Europe and the Ottoman Empire during a time of great cultural exchange and political intrigue.

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