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The Courier Kantan dreaming of Himself as a Daimyo (Hikyaku Kantan: yume no daimyo)... c. 1716 / 35. Creator: Okumura Masanobu
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The Courier Kantan dreaming of Himself as a Daimyo (Hikyaku Kantan: yume no daimyo)... c. 1716 / 35. Creator: Okumura Masanobu
The Courier Kantan dreaming of Himself as a Daimyo (Hikyaku Kantan: yume no daimyo), no. 8 from a series of 12 prints depicting parodies of plays, c. 1716/35
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Media ID 25324157
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Cartouche Courier Daimyo Feudal Feudalism Genpachi Lying Lying Down Marching Masanobu Okumura Oban Sumizuri E Okumura Masanobu Okumura Shinmyo Porter Procession Processional Roadside Sumizuri E Torii School Wayside Parody Satirical
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The Courier Kantan Dreaming of Himself as a Daimyo - A Parody of Feudal Japan
EDITORS COMMENTS
. This print, created by Okumura Masanobu in the 18th century, takes us on a whimsical journey into the world of Edo period Japan. Titled "The Courier Kantan Dreaming of Himself as a Daimyo" this artwork is part of a series that playfully parodies traditional Japanese plays. In this particular scene, we see Kantan, a courier by profession, lying down on the roadside with his horse nearby. As he rests during his journey, he drifts off into an extraordinary dream where he envisions himself transformed into a powerful daimyo - a feudal lord. Masanobu's meticulous block printing technique brings to life every intricate detail of this fantasy world. The flowing kimono worn by Kantan showcases the exquisite fashion clothing from that era. The procession behind him adds to the grandeur and spectacle associated with daimyos. Through this art piece, Masanobu not only entertains but also provides social commentary on the rigid hierarchical structure prevalent in feudal Japan. By juxtaposing Kantan's humble occupation with his ambitious dreams, the artist invites viewers to reflect upon their own aspirations and societal expectations. Displayed at the Art Institute Chicago's Asian Arts collection, this print serves as an important reminder of how art can transcend time and culture while offering glimpses into historical periods long gone. It captures both our imagination and curiosity about ancient traditions while celebrating Masanobu's artistic prowess in capturing these moments for eternity.
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