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The Courtesan Yoso-oi of the Pine Needle House in the Yoshiwara and Her Attendant...About 1802. Creator: Kitagawa Utamaro

The Courtesan Yoso-oi of the Pine Needle House in the Yoshiwara and Her Attendant...About 1802. Creator: Kitagawa Utamaro


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The Courtesan Yoso-oi of the Pine Needle House in the Yoshiwara and Her Attendant...About 1802. Creator: Kitagawa Utamaro

The Courtesan Yoso-oi of the Pine Needle House in the Yoshiwara and Her Attendant (Matsubaya Yoso-oi), Japan, About 1802

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Media ID 36221111

© Heritage Art/Heritage Images

Attendant Beige Clan Courtesan Hair Ornament Kanzashi Kitagawa Utamaro Matsubaya Oban Oiran Red Light District Utamaro Utamaro Kitagawa Yoshiwara


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> Arts > Artists > J > Japanese School Japanese School

> Arts > Artists > K > Utamaro Kitagawa

> Arts > Artists > U > Kitagawa Utamaro

> Europe > United Kingdom > Scotland > Strathclyde > Oban


EDITORS COMMENTS
This woodblock print, titled "Matsubaya Yoso-oi" and created by the renowned Japanese artist Kitagawa Utamaro around 1802, offers a glimpse into the world of the Yoshiwara, the famous red-light district of Edo-period Japan. The image features the courtesan Yoso-oi of the Pine Needle House, elegantly seated with her attendant. The courtesan is dressed in an exquisite kimono adorned with intricate patterns and vibrant colors, her hair styled with elaborate kanzashi ornaments. The attendant, dressed in a simpler beige kimono, attends to her mistress with a respectful demeanor. The oban-size woodblock print showcases the artistic mastery of Utamaro, with meticulous attention to detail in the depiction of the courtesan's facial expression, the folds of their clothing, and the textures of the fabrics. The use of color woodblock printing techniques adds depth and dimension to the image, making it a stunning example of the Ukiyo-e artistic school. This print offers a glimpse into the lives of the women who worked in the Yoshiwara district during the Tokugawa period, providing insight into their fashion, occupations, and daily life. The image is a testament to the rich cultural heritage of Japan and the artistic traditions of the 19th century.

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