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Crossing the Forty-eight Rapids on Akiba Road in Totomi Province (Akiba kaido shijuhachi... 1852. Creator: Ando Hiroshige)
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Crossing the Forty-eight Rapids on Akiba Road in Totomi Province (Akiba kaido shijuhachi... 1852. Creator: Ando Hiroshige)
Crossing the Forty-eight Rapids on Akiba Road in Totomi Province (Akiba kaido shijuhachi segoshi, Totomi), section of sheet no. 4 from the series "Cutout Pictures of the Provinces (Kunizukushi harimaze zue)", 1852
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Media ID 36221209
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Calligraphy Cartouche Cutout Pictures Of The Provinces Distance Distant Harimaze Province Provinces Section Of Harimaze Sheet Shizuoka Japan Asia Totomi Province Ando Hiroshige Ando Utagawa Hiroshige Color Woodblock Print Hiroshige Ando Hiroshige I Hiroshige Ichiyusai Hiroshige Utagawa Ichiryusai Ichiyusai Hiroshige Utagawa Hiroshige
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EDITORS COMMENTS
Crossing the Forty-eight Rapids on Akiba Road in Totomi Province" is a stunning color woodblock print created by the renowned Japanese artist Ando Hiroshige in 1852. This print is part of the series "Cutout Pictures of the Provinces" (Kunizukushi harimaze zue), and specifically, it is the fourth section of sheet no. 4. The image captures the breathtaking scenery of Akiba Road in Totomi Province, Japan, during the Edo period. The road winds its way through the rugged terrain, passing by the forty-eight rapids, a series of formidable whitewater rapids. Travelers can be seen making their way across the rapids, some on foot, others on horseback, their figures small against the vast, dramatic landscape. The print is characterized by its intricate detail and vibrant colors. The mountains in the background are depicted in shades of grey, creating a sense of depth and distance. The rapids are a frothy, white mass, and the road is a narrow strip of gray against the verdant greenery. The print is further enhanced by the calligraphy in the cartouche, which provides information about the location and the artist. Ando Hiroshige was a master of the ukiyo-e artistic school, and this print is a testament to his skill as a block printer. The intricate details, the use of color, and the sense of movement and energy in the image make it a standout piece of heritage art from Asia. The print is now part of the collection of the Art Institute of Chicago, where it continues to inspire and captivate viewers with its beauty and historical significance.
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