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Death triumphant, 1493
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Death triumphant, 1493
Death triumphant, 1493. From Liber chronicarum mundi (Nuremberg Chronicle), by Hartmann Schedel. The depiction of the skeletons is anatomically inaccurate, especially the bones of the pelvis
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Media ID 14863907
© Oxford Science Archive / Heritage-Images
Anatomy Hartmann Hartmann Schedel Hartmannus Hartmannus Schedel Human Body Oxford Science Archive Schedel Skeleton Triumphant Allegorical Figure
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Death Triumphant - A Dance of Life and Mortality
EDITORS COMMENTS
. This print, titled "Death triumphant, 1493" transports us back to the medieval era in Germany. Created by Hartmannus Schedel for the Liber chronicarum mundi (Nuremberg Chronicle), this woodcut engraving showcases a powerful allegorical figure - Death. In this mesmerizing scene, Death takes center stage as an embodiment of both fear and fascination. The skeletal figures dance with haunting elegance, their bony limbs gracefully entwined. While anatomically inaccurate in depicting the pelvis bones, it is through these artistic liberties that Schedel captures the essence of mortality's triumph over life. The print serves as a reminder of our own transient existence and the inevitability of death. It reflects on the delicate balance between science and art during medieval times when understanding human anatomy was still evolving. As we gaze upon this piece today, we are reminded of how far medicine has advanced since then. Schedel's work also highlights his mastery as a German artist during the fifteenth century. His intricate woodcut technique brings depth to each skeleton's form while maintaining an overall monochrome aesthetic that adds to its timeless appeal. As we contemplate "Death triumphant" let us appreciate its historical significance within Oxford Science Archive and acknowledge Hartmannus Schedel's contribution to both artistry and scientific exploration in his time.
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