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The Death of the Virgin, c1475. Artist: Martin Schongauer

The Death of the Virgin, c1475. Artist: Martin Schongauer


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The Death of the Virgin, c1475. Artist: Martin Schongauer

The Death of the Virgin, c1475. From The Print-Collectors Handbook, by Alfred Whitman. [George Bell & Sons, London, 1901]

Heritage Images features heritage image collections

Media ID 14968378

© The Print Collector

Alfred Alfred Whitman Bed Chamber Bedchamber Bedroom Crowded Deathbed George Bell George Bell Sons Martin Martin Schongauer Northern Renaissance Priest Print Collectors Handbook Schongauer Sons Whitman


FEATURES IN THESE COLLECTIONS

> Arts > Art Movements > Renaissance Art

> Arts > Artists > D > Alfred > Related Images

> Arts > Artists > Related Images

> Arts > Artists > S > Martin Schongauer

> Arts > Artists > W > George White

> Arts > Minimalist artwork > Monochrome artwork > Fine art

> Arts > Minimalist artwork > Monochrome artwork > Monochrome paintings

> Arts > Portraits > Black and white portraits > Fine art portraits

> Arts > Portraits > Black and white portraits

> Europe > Germany > Posters


EDITORS COMMENTS
This print showcases "The Death of the Virgin" a masterpiece created by German artist Martin Schongauer in approximately 1475. The image, featured in Alfred Whitman's renowned publication "The Print-Collectors Handbook" from 1901, takes us back to the heart of the Renaissance period. Within an intimate bedroom setting, we witness a solemn crowd gathered around the deathbed of the Virgin Mary. Men and women alike are deeply immersed in their religious devotion as they mourn her passing. A priest stands nearby, offering prayers for her soul's journey into eternity. Schongauer's exceptional engraving skills come to life through this monochrome portrait. Every intricate detail is meticulously captured, showcasing his mastery over light and shadow. The composition evokes a sense of reverence and spirituality that was characteristic of Northern Renaissance art. "The Death of the Virgin" serves as a poignant reminder of both faith and mortality. It transports us to fifteenth-century Germany, where Christian beliefs played an integral role in people's lives. This powerful artwork continues to resonate even today, bridging centuries with its timeless message. As we delve into this remarkable piece through Whitman's publication, we gain insight into Schongauer's artistic genius while appreciating the historical significance it holds within German culture and religious iconography.

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