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Dessin original pour les "Maîtres de l'Affiche". c1900. Creator: Jules Cheret. Dessin original pour les "Maîtres de l'Affiche". c1900. Creator: Jules Cheret
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Dessin original pour les "Maîtres de l'Affiche". c1900. Creator: Jules Cheret. Dessin original pour les "Maîtres de l'Affiche". c1900. Creator: Jules Cheret
Dessin original pour les "Maitres de l'Affiche". c1900. [Publisher: Imprimerie Chaix; Place: Paris]
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Media ID 36242675
© Heritage Art/Heritage Images
Back View Belle Epoque Chaix Imprimerie Cheret Jules Imprimerie Chaix Joyful Joyous Jules Cheret Lithographs Looking Back Maitres De Laffiche New York Public Library Nypl Parisian Posters Public Library Rear View Wallach Division Picture Collection Lithotint
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EDITORS COMMENTS
This image is a original lithograph print by the renowned French artist Jules Cheret, created for the prestigious series "Maîtres de l'Affiche" in the early 1900s. Published by Imprimerie Chaix in Paris, the print showcases a graceful woman in a flowing, colorful dress, engaged in a joyful dance. The back view perspective adds an element of mystery and allure, inviting the viewer to imagine the story behind her smile and the music that moves her. The Belle Époque era, characterized by its elegance and sophistication, is beautifully captured in this artwork. The woman's dress, with its intricate patterns and flowing lines, is a testament to the fashion trends of the time. The lithograph's rich colors and vibrant hues transport us to a bygone era, filled with joy and merriment. The New York Public Library's Wallach Division Picture Collection houses this precious piece of art history. The print, a reminder of the rich cultural heritage of France, is a celebration of the human spirit and the simple pleasure of dancing. Cheret's masterful use of lithography techniques, such as lithotint, adds depth and texture to the image, making it a true work of art. This print is not only a visual delight but also a historical artifact, offering a glimpse into the past and the evolution of art and fashion.
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