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Devant le tableau de Monsieur Gustave Moreau, 19th century. Creator: Honore Daumier

Devant le tableau de Monsieur Gustave Moreau, 19th century. Creator: Honore Daumier


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Devant le tableau de Monsieur Gustave Moreau, 19th century. Creator: Honore Daumier

Devant le tableau de Monsieur Gustave Moreau, 19th century. Exhibition. First visitor: A cat with a low-cut neckline and a woman's head, that's called a Sphinx then? Second visitor: Of course...in Greek

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Media ID 36291720

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Art Critic Catalogue Critic Daumier Honore Daumier Honore Victorin Funny H Daumier Honore Daumier Honore Victorin Daumier Ignorance Lithographic Paintings Pictures Guide Book Guidebook Ignorant Lithotint Parody Satirical


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> Arts > Artists > D > Honore Daumier

> Arts > Artists > H > Guy Head

> Arts > Artists > M > Gustave Moreau

> Arts > Literature

> Arts > Pop art > Satire > Satirical artwork

> Europe > France > Le Mans

> Europe > France > Paintings

> Europe > Greece > Paintings

> Europe > Greece > Posters

> Europe > Greece > Related Images


EDITORS COMMENTS
Devant le tableau de Monsieur Gustave Moreau" is a captivating lithograph by the renowned French artist Honore Daumier, created in the 19th century. This intriguing artwork, now part of the permanent collection at the National Gallery of Art in Washington D.C., showcases Daumier's unique blend of humor and satire. The image depicts two visitors, one a cat with a low-cut neckline and an inquisitive expression, and the other a man, both gazing intently at a painting by Gustave Moreau, which is not visible in the print. The cat, with its feline features and feminine attire, is labeled as a "Sphinx" by the second visitor, who assumes a more traditional human form. The visitors' dialogue, written in the caption, adds a layer of wit and intellectual playfulness to the scene. Daumier's masterful use of black and white contrasts creates a striking visual effect, with the bold lines and intricate details adding depth and texture to the artwork. The setting, an art gallery or exhibition, serves as the perfect backdrop for this humorous commentary on the nature of art, the role of the critic, and the ignorance of the viewer. The print, a testament to the rich artistic heritage of France, invites us to ponder the meaning behind the visitors' identities and their reactions to the painting. Is the cat a representation of the enlightened, insightful observer, or a symbol of ignorance and misunderstanding? The answer, like much of Daumier's work, is left open to interpretation. This lithograph, with its timeless themes and witty commentary, continues to intrigue and delight art enthusiasts and scholars alike, making it a must-see addition to any art gallery or collection.

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